ShowBizRadio

Elden Street’s Flowers For Algernon was a wonderfully powerful production. Make plans to see this show!

ACT’s Sister Mary Ignatius Explains It All For You is an awkwardly funny hour of theatre.

PWLT’s Red Scare on Sunset was an enigma: a great design concept and competent actors merged with a confusing plot didn’t quite equal a completely enjoyable show.

Synetic Theatre has constructively embarked on a principled, yet not doctrinal, mission to remind us all of the safety and cleanliness and trustworthiness of American life and we should thank it and our lucky stars for being here and not there.

Dominion Stage is giving us big boy talent in a close and intimate setting at an affordable cost.

Overall, Encore’s Charlotte’s Web was a fun performance that all ages could enjoy.

Director Beth Hughes-Brown keeps the energy up and the action moving as we try to divine just what is going on in this play, which is a worthwhile evening out.

WSC Avant Bard’s production of Sam Shepard’s The Tooth of Crime is a fun trip, albeit one that I am not quite sure I completely understood.

Signature Theatre proves itself again with creative and electrifying staging of a difficult show; assembling all of the components into a great night’s entertainment.

In a well-intended and generally well-executed, but ultimately futile, bit of theater archeology, 1st Stage dusts off the 1965 Kander-Ebb musical, Flora the Red Menace.