Synetic Theatre has constructively embarked on a principled, yet not doctrinal, mission to remind us all of the safety and cleanliness and trustworthiness of American life and we should thank it and our lucky stars for being here and not there.
The language of dance and mine is universal and this company has made theatre something worth paying for again.
Synetic Theater’s Genesis Reboot is a substantially intricate piece; yet, it still manages to maintain accessibility. I can’t possibly give you a complete picture of what to expect, and that is precisely why you ought to consider seeing it yourself.
The success of the show was not just of taking the well known story and conveying it with dance. This production did so much more, casting a mood and an atmosphere all their own, using every element of the stage to convey their tale.
Two worthy productions of Othello opened last weekend, one a mounting of the Shakespeare play, in all its verbal glory, by the Folger Theatre, and the other as part of Synetic Theater’s “Silent Shakespeare Festival.”
Synetic Theater has released their planned 2011-2012 season.
Synetic combined dance, light effects and music in a creative way to tell the classic story Don Quixote.
Synetic Theater has announced that King Lear, its seventh installment of their “Silent Shakespeare” series, has extended its run two weeks.
Synetic Theater’s seventh Silent Shakespeare venture presents Lear totally denuded of ornate verbal shock absorbers.
The nominations for the 27th Helen Hayes Awards were announced on February 28, 2011 at The National Theatre, Helen Hayes Gallery. View the nominations by category or by company.