<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>Comments on: Castaways Repertory Theatre Fiddler On The Roof</title>
	<atom:link href="/2012/05/review-crt-fiddler-on-the-roof/feed/" rel="self" type="application/rss+xml" />
	<link>/2012/05/review-crt-fiddler-on-the-roof/</link>
	<description>Theater Info for the Washington DC region</description>
	<lastBuildDate>Mon, 09 Jun 2014 20:41:42 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	
	<item>
		<title>By: Laura &#38; Mike Clark</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62645</link>
		<dc:creator><![CDATA[Laura &#38; Mike Clark]]></dc:creator>
		<pubDate>Fri, 11 May 2012 22:53:16 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62645</guid>
		<description><![CDATA[OK all, calm down. Genie wrote this review in a different style. I totally support that. I think it was informative and a fun read.

I&#039;m sorry I misunderstood Ahman&#039;s original note. I thought he was getting tripped up on the Yiddish, not on the overall tone and style of the article.

I have to disagree with K&#039;s initial thoughts that a positive review only happens when there is a bias between reviewer and the cast/crew of a show. Looking back at the reviews that we have been published of CRT&#039;s shows, they seem fairly balanced, as does this one. As far as I can tell, the only time we&#039;ve published a review with a potential conflict was my review of CRT&#039;s &lt;i&gt;The Miracle Worker&lt;/i&gt; when Laura was the assistant stage manager. None of our writers could make that show, and since I was going to see it anyways, I posted a review. Maybe I shouldn&#039;t have done that. We do take reviewer neutrality as a big deal in the articles we publish.]]></description>
		<content:encoded><![CDATA[<p>OK all, calm down. Genie wrote this review in a different style. I totally support that. I think it was informative and a fun read.</p>
<p>I&#8217;m sorry I misunderstood Ahman&#8217;s original note. I thought he was getting tripped up on the Yiddish, not on the overall tone and style of the article.</p>
<p>I have to disagree with K&#8217;s initial thoughts that a positive review only happens when there is a bias between reviewer and the cast/crew of a show. Looking back at the reviews that we have been published of CRT&#8217;s shows, they seem fairly balanced, as does this one. As far as I can tell, the only time we&#8217;ve published a review with a potential conflict was my review of CRT&#8217;s <i>The Miracle Worker</i> when Laura was the assistant stage manager. None of our writers could make that show, and since I was going to see it anyways, I posted a review. Maybe I shouldn&#8217;t have done that. We do take reviewer neutrality as a big deal in the articles we publish.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Kat Brais</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62639</link>
		<dc:creator><![CDATA[Kat Brais]]></dc:creator>
		<pubDate>Fri, 11 May 2012 20:29:34 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62639</guid>
		<description><![CDATA[I don&#039;t have anyone in the show and I have not seen it, but I&#039;m a regular reader of your column and I have to admit, this was a really weird review. Having done this show twice, I know it pretty well, but I almost couldn&#039;t follow along with what was going on.  A reader shouldn&#039;t have to consult a Yiddish dictionary to read a review.....unless your are reviewing a production done in Yiddish for an entirely Yiddish speaking audience.  It&#039;s kitchy, I get it, but not at all practical and extremely self-indulgent and verbose.]]></description>
		<content:encoded><![CDATA[<p>I don&#8217;t have anyone in the show and I have not seen it, but I&#8217;m a regular reader of your column and I have to admit, this was a really weird review. Having done this show twice, I know it pretty well, but I almost couldn&#8217;t follow along with what was going on.  A reader shouldn&#8217;t have to consult a Yiddish dictionary to read a review&#8230;..unless your are reviewing a production done in Yiddish for an entirely Yiddish speaking audience.  It&#8217;s kitchy, I get it, but not at all practical and extremely self-indulgent and verbose.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: "K" Goins-Williams</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62576</link>
		<dc:creator><![CDATA["K" Goins-Williams]]></dc:creator>
		<pubDate>Thu, 10 May 2012 15:32:46 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62576</guid>
		<description><![CDATA[Hi Everyone

I have been behind the scene in most of Castaways productions for the past 3 years.  During that time I have not seen what I consider a positive review from this source - unless one of the reviewers (or someone in their immediate circle) is a part of the production.

I look at these as one person’s opinion - nothing more - certainly not an authority on the subject.  I prefer to let our audiences opinion be my judge and so far they seem to love it even with all the so called flaws mentioned above.  
To me, that is all that matters.  People came and had an enjoyable experience and seem to understand when all is said and done, this is a group of VOLUNTEERS who came together with one common purpose and they give it their all and hopefully had a little fun in the process.  

I commend everyone who gives of their time and their selves in such a positive expression.  I say take what you can from this review (if anything) and let the rest go.

P.S.  I do appreciate the reviewer spelling my name correctly.

Thank you
&quot;K&quot; Goins-Williams]]></description>
		<content:encoded><![CDATA[<p>Hi Everyone</p>
<p>I have been behind the scene in most of Castaways productions for the past 3 years.  During that time I have not seen what I consider a positive review from this source &#8211; unless one of the reviewers (or someone in their immediate circle) is a part of the production.</p>
<p>I look at these as one person’s opinion &#8211; nothing more &#8211; certainly not an authority on the subject.  I prefer to let our audiences opinion be my judge and so far they seem to love it even with all the so called flaws mentioned above.<br />
To me, that is all that matters.  People came and had an enjoyable experience and seem to understand when all is said and done, this is a group of VOLUNTEERS who came together with one common purpose and they give it their all and hopefully had a little fun in the process.  </p>
<p>I commend everyone who gives of their time and their selves in such a positive expression.  I say take what you can from this review (if anything) and let the rest go.</p>
<p>P.S.  I do appreciate the reviewer spelling my name correctly.</p>
<p>Thank you<br />
&#8220;K&#8221; Goins-Williams</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Laura &#38; Mike Clark</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62567</link>
		<dc:creator><![CDATA[Laura &#38; Mike Clark]]></dc:creator>
		<pubDate>Thu, 10 May 2012 11:28:51 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62567</guid>
		<description><![CDATA[We ask that you disclose any affiliation you have with the production when you comment. For example, if you have a family member in the production or if you were involved backstage in some role, mention that in your note. And as always, if you believe you could do better writing theater reviews, contact me and I&#039;ll get you set up reviewing future productions.]]></description>
		<content:encoded><![CDATA[<p>We ask that you disclose any affiliation you have with the production when you comment. For example, if you have a family member in the production or if you were involved backstage in some role, mention that in your note. And as always, if you believe you could do better writing theater reviews, contact me and I&#8217;ll get you set up reviewing future productions.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ahman Kee</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62539</link>
		<dc:creator><![CDATA[Ahman Kee]]></dc:creator>
		<pubDate>Wed, 09 May 2012 19:23:08 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62539</guid>
		<description><![CDATA[If I wanted a critique of Klezmer music or a stereotypical rant about what Jewish immigrants did in New York I would go looking for it. This is a theater review and I don&#039;t get what this reviewer is rambling about. I hope all aspiring critics take this a lesson of how not to write a review]]></description>
		<content:encoded><![CDATA[<p>If I wanted a critique of Klezmer music or a stereotypical rant about what Jewish immigrants did in New York I would go looking for it. This is a theater review and I don&#8217;t get what this reviewer is rambling about. I hope all aspiring critics take this a lesson of how not to write a review</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tony Rogers</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62536</link>
		<dc:creator><![CDATA[Tony Rogers]]></dc:creator>
		<pubDate>Wed, 09 May 2012 18:39:28 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62536</guid>
		<description><![CDATA[I think Amahn&#039;s point is more the stram of consciousness format of the review as opposed to the Yiddish words.
For example, one paragraph is a large discussion of the history of Klezmer music, which is instantly said should be disregarded.  It also seems to imply that this production is without music:
&quot;The book, by Joseph Stein, is mildly imperfect to begin with, so the story, without music and dance to cover up the flaws, is not wholly plausible. Although this fact doesn’t have to be fatal this show requires context and state. It has none here because the venue doesn’t afford it.&quot;
There is also a paragraph on the taboo of Perchik and Tevye dancing that indicates nothing about this particular production.

It seems to be more of an examination of the show &quot;Fiddler on the Roof&quot; far more than it is a review of Castaway&#039;s production.  Each character review basically says &quot;this person was good&quot; and then gives an extensive examination of the character as opposed to the actor.

The final paragraph finally says what the reviewer really thinks of the show, but you have to wade through a whole lot in order to get to it.]]></description>
		<content:encoded><![CDATA[<p>I think Amahn&#8217;s point is more the stram of consciousness format of the review as opposed to the Yiddish words.<br />
For example, one paragraph is a large discussion of the history of Klezmer music, which is instantly said should be disregarded.  It also seems to imply that this production is without music:<br />
&#8220;The book, by Joseph Stein, is mildly imperfect to begin with, so the story, without music and dance to cover up the flaws, is not wholly plausible. Although this fact doesn’t have to be fatal this show requires context and state. It has none here because the venue doesn’t afford it.&#8221;<br />
There is also a paragraph on the taboo of Perchik and Tevye dancing that indicates nothing about this particular production.</p>
<p>It seems to be more of an examination of the show &#8220;Fiddler on the Roof&#8221; far more than it is a review of Castaway&#8217;s production.  Each character review basically says &#8220;this person was good&#8221; and then gives an extensive examination of the character as opposed to the actor.</p>
<p>The final paragraph finally says what the reviewer really thinks of the show, but you have to wade through a whole lot in order to get to it.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Laura &#38; Mike Clark</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62534</link>
		<dc:creator><![CDATA[Laura &#38; Mike Clark]]></dc:creator>
		<pubDate>Wed, 09 May 2012 17:22:56 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62534</guid>
		<description><![CDATA[Ahman, You might try using a Yiddish to English dictionary if you can&#039;t infer what the Yiddish words mean in their context. I found a useful one at http://yiddishdictionaryonline.com/]]></description>
		<content:encoded><![CDATA[<p>Ahman, You might try using a Yiddish to English dictionary if you can&#8217;t infer what the Yiddish words mean in their context. I found a useful one at <a href="http://yiddishdictionaryonline.com/" rel="nofollow">http://yiddishdictionaryonline.com/</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ahman Kee</title>
		<link>/2012/05/review-crt-fiddler-on-the-roof/comment-page-1/#comment-62533</link>
		<dc:creator><![CDATA[Ahman Kee]]></dc:creator>
		<pubDate>Wed, 09 May 2012 17:14:18 +0000</pubDate>
		<guid isPermaLink="false">http://washingtondc.showbizradio.net/?p=8017#comment-62533</guid>
		<description><![CDATA[This is the strangest review I have ever read. I had to stop half way through. It didnt make sense. Did someone not do any proper editing?]]></description>
		<content:encoded><![CDATA[<p>This is the strangest review I have ever read. I had to stop half way through. It didnt make sense. Did someone not do any proper editing?</p>
]]></content:encoded>
	</item>
</channel>
</rss>
