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Cuckoo’s Nest is a chiefly dramatic play that includes comedic elements, and the Northwood cast balanced both aspects admirably.

Don’t Dress For Dinner is a fun farce that lets the laughter (and confusion) run rampant for two hours.

In a story brimming with adolescent angst, love, and rebellion, Albert Einstein High School created a retro, rock-and-roll riot that left audiences with the urge to get up and jive.

Copenhagen is an interesting show if you are a student of philosophy, history and physics. If you don’t have a background in those fields, prepare for a slog through some deep material.

Through the simple yet creative set, comical acting, and splendidly executed music, St. Andrew’s Pippin made up for a few of its shortcomings and produced an entertaining and thought-provoking performance that interested the audience.

The words, thoughts, and actions of Stoppard’s actors and writers have wider meaning to the extent that all the world is, in fact, a stage.

While perhaps not quite as well-known as the “big three” of Pinafore, Pirates, and Mikado, Iolanthe is arguably Gilbert and Sullivan’s most completely satisfying work.

The Olney Theatre Center’s production of Spring Awakening is simultaneously charming and mortifying.

With a combination of poor direction and egregious miscasting, Damascus Theatre Company’s Cabaret lamentably fails to deliver on too many levels to deem worthy of a recommendation.

The Olney Theatre Center in Olney, Maryland announced their new artistic director this morning.