Two musicals received five awards, Camelot by 2nd Star Productions and Ragtime by Kensington Arts Theatre. Two plays received four awards, The Pillowman by Silver Spring Stage and Red by the Elden Street Players. Kensington Arts Theatre received the most awards, a total of seven for their productions of Ragtime and Next to Normal. Colonial Players was the only theater company to receive awards for three separate productions, 1776, Shipwrecked and Trying.

• 2nd Star Productions
• Aldersgate Church Community Theatre
• The Alliance Theatre
• The Arlington Players
• Capital City Players of DC
• Bowie Community Theatre
• Castaways Repertory Theatre
• Taking Flight Theatre Company
• Chevy Chase Players
• Colonial Players of Annapolis
• Damascus Theatre Company
• Dominion Stage
• Elden Street Players
• Fauquier Community Theatre
• Greenbelt Arts Center
• Hard Bargain Players
• Kensington Arts Theatre
• Laurel Mill Playhouse
• Little Theatre of Alexandria
• McLean Community Players
• Montgomery Playhouse
• Port City Playhouse
• Port Tobacco Players
• Prince George’s Little Theatre
• Prince William Little Theatre
• Providence Players of Fairfax
• Reston Community Players
• Rockville Little Theatre
• Rockville Musical Theatre
• St. Mark’s Players
• Silver Spring Stage
• Tantallon Community Players
• Vienna Theatre Company

Winners for outstanding technical achievements.

Outstanding Set Design in a Musical (TIE)

• Jared Davis, Avenue Q, Dominion Stage
• Jane B. Wingard, Camelot, 2nd Star Productions

Outstanding Set Design in a Play

• John Downing and Bill Glikbarg, Twentieth Century, Little Theatre of Alexandria

Outstanding Set Construction in a Musical

• Hector Lorenzini, Avenue Q, Dominion Stage

Outstanding Set Construction in a Play

• Richard Gilpin and Zachary Ball, Brighton Beach Memoirs, Port Tobacco Players

Outstanding Set Painting in a Musical

• Jane B. Wingard, Camelot, 2nd Star Productions

Outstanding Set Painting in a Play

• Mary Speed and Brian Garrison, Red, Elden Street Players

Outstanding Set Decoration and Set Dressing in a Musical

• Jane B. Wingard and Gail Bagaria, Camelot, 2nd Star Productions

Outstanding Set Decoration and Set Dressing in a Play

• Paul Hennesy and Mike Mattheisen, Is He Dead?, Providence Players of Fairfax

Outstanding Properties in a Musical

• Joanne D. Wilson, Camelot, 2nd Star Productions

Outstanding Properties in a Play

• Susan d. Garvey, Red, Elden Street Players

Outstanding Lighting Design in a Musical

• Tommy Scott, Fiddler on the Roof, Port Tobacco Players

Outstanding Lighting Design in a Play

• Ken and Patti Crowley, 33 Variations, Little Theatre of Alexandria

Outstanding Sound Design in a Musical

• Kevin DeMine, Avenue Q, Dominion Stage

Outstanding Sound Design in a Play

• Sean Doyle, Shiloh Rules, Port City Playhouse

Outstanding Costume Design in a Musical

• Linda Swann, Camelot, 2nd Star Productions

Outstanding Costume Design in a Play

• Mary Wakefield, The Tempest, Rockville Little Theatre

Outstanding Makeup Design in a Musical

• Shemika Berry, The Wiz, Tantallon Community Players

Outstanding Makeup Design in a Play

• Sally Cusenza, The Pillowman, Silver Spring Stage

Outstanding Hair Design in a Musical

• Beverly Hill van Joolen, 1776, Colonial Players of Annapolis

Outstanding Hair Design in a Play

• Rachel Royall, Life with Father, Aldersgate Churtch Community Theatre

Outstanding Special Effects

• Joshua McKerrow, Kat McKerrow, Maya Wilcox, The Lieutenant of Inishmore, Laurel Mill Playhouse

Winners for outstanding performances by an actor or actress.

Outstanding cameo in a musical

• Lydia Kivrak as ‘Grandma Tzeitel’, Fiddler on the Roof, Port Tobacco Players

Outstanding cameo in a play

• Jeffrey Gangwisch as ‘James’, The Lieutenant of Inishmore, Laurel Mill Playhouse

Outstanding featured actress in a musical

• Eben K. Logan as ‘Sarah’, Ragtime, Kensington Arts Theatre

Outstanding featured actor in a musical

• Ryan Burke as ‘Dan’, Next to Normal, Kensington Arts Theatre

Outstanding featured actress in a play

• Christina Enoch Kemmerer as ‘Player #1’, Shipwrecked, Colonial Players of Annapolis

Outstanding featured actor in a play (TIE)

• Chris Daileader as ‘Michal’, The Pillowman, Silver Spring Stage
• Robert Tucker as ‘Player #2’, Shipwrecked, Colonial Players of Annapolis

Outstanding lead actress in a musical

• Emily Zickler as ‘Diana’, Next to Normal, Kensington Arts Theatre

Outstanding lead actor in a musical

• Sayne-Kharyi Lewis as ‘Colehouse Walker’, Ragtime, Kensington Arts Theatre

Outstanding lead actress in a play (TIE)

• Karen Grim as ‘Sarah Schorr’, Trying, Colonial Players of Annapolis
• Mary-Anne Sullivan as ‘Dr. Katherine Brandt’, 33 Variations, Reston Community Players

Outstanding lead actor in a play

• Chad W. Fornwalt as ‘Katurian’, The Pillowman, Silver Spring Stage

Winners for outstanding achievement in overall production.

Outstanding Stage Combat Choreography

• William T. Fleming, The Pillowman, Silver Spring Stage

Outstanding Choreography

• Darnell Morris and Eben K. Logan, Ragtime, Kensington Arts Theatre

Outstanding Music Direction

• Mayumi B. Griffie, Ragtime, Kensington Arts Theatre

Outstanding Direction of a Musical

• Evan Hoffmann, Caroline or Change, Elden Street Players

Outstanding Direction of a Play

• Gloria DuGan, Red, Elden Street Players

Outstanding Musical

• Ragtime, Kensington Arts Theatre

Outstanding Play

• Red, Elden Street Players

Wins sorted by theatre and show.

2nd Star Productions

• Camelot
  • Outstanding Costume Design in a Musical, Linda Swann
  • Outstanding Properties in a Musical, Joanne D. Wilson
  • Outstanding Set Decoration in a Musical, Jane B. Wingard and Gail Bagaria
  • Outstanding Set Design in a Musical, Jane B. Wingard
  • Outstanding Set Painting in a Musical, Jane B. Wingard

Aldersgate Church Community Theatre

• Life with Father
  • Outstanding Hair Design in a Play, Rachel Royall

Colonial Players

• 1776
  • Outstanding Hair Design in a Musical, Beverly Hill van Joolen
• Shipwrecked
  • Outstanding Featured Actor in a Play, Robert Tucker as “Player #2”
  • Outstanding Featured Actress in a Play, Christina Enoch Kremmerer as “Player #1”
• Trying
  • Outstanding Lead Actress in a Play, Karen Grim as “Sarah Schorr”

Dominion Stage

• Avenue Q
  • Outstanding Set Construction in a Musical, Hector Lorenzini
  • Outstanding Set Design in a Musical, Jared Davis
  • Outstanding Sound Design in a Musical, Kevin DeMine

Elden Street Players

• Caroline or Change
  • Outstanding Direction of a Musical, Evan Hoffmann
• Red
  • Outstanding Direction of a Play, Gloria DuGan
  • Outstanding Play
  • Outstanding Properties in a Play, Susan d. Garvey
  • Outstanding Set Painting in a Play, Mary Speed

Kensington Arts Theatre

• Next to Normal
  • Outstanding Featured Actor in a Musical, Ryan Burke as “Dan”
  • Outstanding Lead Actress in a Musical, Emily Zickler as “Diana”
• Ragtime
  • Outstanding Choreography, Darnell Morris & Eben K. Logan
  • Outstanding Featured Actress in a Musical, Eben K. Logan as “Sarah”
  • Outstanding Lead Actor in a Musical, Sayne-Kharyi Lewis as “Colehouse Walker”
  • Outstanding Music Direction, Mayumi B. Griffie
  • Outstanding Musical

Laurel Mill Playhouse

• The Lieutenant of Inishmore
  • Outstanding Cameo in a Play, Jeffrey Gangwisch as “James”
  • Outstanding Special Effects, Joshua McKerrow et al

Little Theatre Of Alexandria

• 33 Variations
  • Outstanding Light Design in a Play, Ken & Patti Crowley
• Twentieth Century
  • Outstanding Set Design in a Play, John Downing & Bill Glikbarg

Port City Playhouse

• Shiloh Rules
  • Outstanding Sound Design in a Play, Sean Doyle

Port Tobacco Players

• Brighton Beach Memoirs
  • Outstanding Set Construction in a Play, Richard Gilpin & Zachary Ball
• Fiddler on the Roof
  • Outstanding Cameo in a Musical, Lydia Kivrak as “Grandma Tzeitel”
  • Outstanding Light Design in a Musical, Tommy Scott

Providence Players

• Is He Dead?
  • Outstanding Set Decoration in a Play, Paul Hennesy & Mike Mattheisen

Reston Community Players

• 33 Variations
  • Outstanding Lead Actress in a Play, Mary-Anne Sullivan as “Dr. Katherine Brandt”

Rockville Little Theatre

• The Tempest
  • Outstanding Costume Design in a Play, Mary Wakefield

Silver Spring Stage

• The Pillowman
  • Outstanding Featured Actor in a Play, Chris Daileader as “Michal”
  • Outstanding Lead Actor in a Play, Chad W. Fornwalt as “Katurian”
  • Outstanding Makeup Design in a Play, Sally Cusenza
  • Outstanding Stage Combat Choreography, William T. Fleming

Tantallon Community Theatre

• The Wiz
  • Outstanding Makeup Design in a Musical, Shemika Berry

Fifteen companies received awards this year. The Arlington Players‘ production of A Little Night Music received the most awards of the musicals, with five, including Outstanding Musical. Fauquier Community Theatre received four awards for Into the Woods, as did Kensington Arts Theatre for Sunday in the Park with George. Providence Players received the most awards, with two plays (Side Man and You Can’t Take it With You) each receiving four awards. The Colonial Players production Going to St. Ives received three awards, including Outstanding Play. Fifteen companies received awards this year.

ShowBizRadio followed the ceremony live, the archive is available.

Winners for outstanding technical achievement

• Outstanding Costume Design in a Musical: Eleanor Dicks, Sunday in the Park with George, Kensington Arts Theatre
• Outstanding Costume Design in a Play: Robbie Snow, You Can’t Take It With You, Providence Players of Fairfax
• Outstanding Hair Design in a Musical: Bette Williams, A Little Night Music, The Arlington Players
• Outstanding Hair Design in a Play: Beth Harrison, You Can’t Take It With You, Providence Players of Fairfax
• Outstanding Lighting Design in a Musical: Kevin Boyce, Night of the Living Dead, The Musical, Kensington Arts Theatre
• Outstanding Lighting Design in a Play: Chip Gertzog, Side Man, Providence Players of Fairfax
• Outstanding Makeup Design in a Musical: Tim Kirk, Into the Woods, Fauquier Community Theatre
• Outstanding Makeup Design in a Play: Beth Harrison, You Can’t Take It With You, Providence Players of Fairfax
• Outstanding Properties in a Musical: Richard Perryman & Peter Fakoury, Into the Woods, Fauquier Community Theatre
• Outstanding Properties in a Play: Susan Kaplan, Side Man, Providence Players of Fairfax
• Outstanding Set Construction in a Musical: Ryan Mudd, The Sound of Music, Port Tobacco Players
• Outstanding Set Construction in a Play: John Downing, Heaven Can Wait, Little Theatre of Alexandria
• Outstanding Set Decoration and Set Dressing in a Musical: Tim Kirk, Into the Woods, Fauquier Community Theatre
• Outstanding Set Decoration and Set Dressing in a Play: Lisa Church & Chip Gertzog, You Can’t Take It With You, Providence Players of Fairfax
• Outstanding Set Design in a Musical: John Merritt, Ryan Mudd, Ben Simpson, The Sound of Music, Port Tobacco Players
• Outstanding Set Design in a Play: Raedun Knutsen & Chip Gertzog, Side Man, Providence Players of Fairfax
• Outstanding Set Painting in a Musical: Nancy Daugherty, Into the Woods, Fauquier Community Theatre
• Outstanding Set Painting in a Play: Jane B. Wingard, Bloody Murder, 2nd Star Productions
• Outstanding Sound Design in a Musical: Kevin Garrett, Sunday in the Park with George, Kensington Arts Theatre
• Outstanding Sound Design in a Play: Jimmy Gertzog & Chip Gertzog, Side Man, Providence Players of Fairfax
• Outstanding Special Effects: Jordan Rose & Doe B. Kim, Sunday in the Park with George, Kensington Arts Theatre

Winners for outstanding performance by an actor or actress

• Outstanding cameo in a musical (TIE): Chrissy Barnett Miller as “Jolene Oakes”, Dirty Rotten Scoundrels, Damascus Theatre Company AND Brenda Parker as “Church Soloist”, The Color Purple, Tantallon Community Players
• Outstanding cameo in a play: Mark Yeager as “Beverly Weston”, August Osage County, Reston Community Players
• Outstanding featured actress in a musical: Annie Coffman as “Anne Egerman”, A Little Night Music, The Arlington Players
• Outstanding featured actor in a musical: Stephen Deininger as “Tateh”, Ragtime, Laurel Mill Playhouse
• Outstanding featured actress in a play: Gayle Nichols-Grimes as “Vernadette Simms”, The Dixie Swim Club, Port City Playhouse
• Outstanding featured actor in a play: John Shackelford as “Max Levene”, Heaven Can Wait, Little Theatre of Alexandria
• Outstanding lead actress in a musical: Jennifer Lyons Pagnard as “Mrs. Lovett”, Sweeney Todd, Little Theatre of Alexandria
• Outstanding lead actor in a musical: Fred Nelson as “Tevye”, Fiddler on the Roof, 2nd Star Productions
• Outstanding lead actress in a play: Lolita-Marie as “May N’Kame”, Going to St. Ives, Colonial Players of Annapolis
• Outstanding lead actor in a play: Matt Baughman as “Charlie Gordon”, Flowers for Algernon, Elden Street Players

Winners for outstanding achievement in overall production

• Outstanding Stage Combat Choreography: Carl Brandt Long, Deathtrap, McLean Community Players
• Outstanding Choreography: Taurean Maray Barber, The Color Purple, Tantallon Community Players
• Outstanding Music Direction: John-Michael d’Haviland, A Little Night Music, The Arlington Players
• Outstanding Direction of a Musical (TIE): Christopher Dykton, A Little Night Music, The Arlington Players AND Craig Petinatti, Sunday in the Park with George, Kensington Arts Theatre
• Outstanding Direction of a Play: Edd Miller, Going to St. Ives, Colonial Players of Annapolis
• Outstanding Musical: A Little Night Music, The Arlington Players
• Outstanding Play: Going to St. Ives, Colonial Players of Annapolis

Winners sorted by theatre and show

2nd Star Productions

• Bloody Murder
  • Outstanding Set Painting in a Play, Jane B. Wingard
• Fiddler on the Roof
  • Outstanding Lead Actor in a Musical, Fred Nelson as “Tevye”

Arlington Players

• A Little Night Music
  • Outstanding Direction of a Musical, Christopher Dykton
  • Outstanding Featured Actress in a Musical, Annie Coffman as “Anne Egerman”
  • Outstanding Hair Design in a Musical, Bette Williams
  • Outstanding Music Direction, John-Michael d’Haviland
  • Outstanding Musical

Colonial Players

• Going to St. Ives
  • Outstanding Direction of a Play, Edd Miller
  • Outstanding Lead Actress in a Play, Lolita-Marie as “May N’Kame”
  • Outstanding Play

Damascus Theatre Company

• Dirty Rotten Scoundrels
  • Outstanding Cameo in a Musical, Chrissy Barnett Miller as “Jolene Oakes”

Elden Street Players

• Flowers for Algernon
  • Outstanding Lead Actor in a Play, Matt Baughman as “Charlie Gordon”

Fauquier Community Theatre

• Into the Woods
  • Outstanding Makeup Design in a Musical, Tim Kirk
  • Outstanding Properties in a Musical, Richard Perryman & Peter Fakoury
  • Outstanding Set Decoration in a Musical, Tim Kirk
  • Outstanding Set Painting in a Musical, Nancy Daugherty

Kensington Arts Theatre

• Night of the Living Dead, The Musical
  • Outstanding Light Design in a Musical, Kevin Boyce
• Sunday in the Park with George
  • Outstanding Costume Design in a Musical, Eleanor Dicks
  • Outstanding Direction of a Musical, Craig Pettinati
  • Outstanding Sound Design in a Musical, Kevin Garrett
  • Outstanding Special Effects, Jordan Rose & Doe B. Kim

Laurel Mill Playhouse

• Ragtime
  • Outstanding Featured Actor in a Musical, Stephen Deininger as “Tateh”

Little Theatre Of Alexandria

• Heaven Can Wait
  • Outstanding Featured Actor in a Play, John Shackelford as “Max Levene”
  • Outstanding Set Construction in a Play, John Downing
• Sweeney Todd
  • Outstanding Lead Actress in a Musical, Jennifer Lyons Pagnard as “Mrs. Lovett”

McLean Community Players

• Deathtrap
  • Outstanding Stage Combat Choreography, Carl Brandt Long

Port City Playhouse

• The Dixie Swim Club
  • Outstanding Featured Actress in a Play, Gayle Nichols-Grimes as “Vernadette Simms”

Port Tobacco Players

• The Sound of Music
  • Outstanding Set Construction in a Musical, Ryan Mudd
  • Outstanding Set Design in a Musical, John Merritt, Ryan Mudd, Ben Simpson

Providence Players

• Side Man
  • Outstanding Light Design in a Play, Chip Gertzog
  • Outstanding Properties in a Play, Susan Kaplan
  • Outstanding Set Design in a Play, Raedun Knutsen & Chip Gertzog
  • Outstanding Sound Design in a Play, Jimmy Gertzog & Chip Gertzog
• You Can’t Take it With You
  • Outstanding Costume Design in a Play, Robbie Snow
  • Outstanding Hair Design in a Play, Beth Harrison
  • Outstanding Makeup Design in a Play, Beth Harrison
  • Outstanding Set Decoration in a Play, Lisa Church & Chip Gertzog

Reston Community Players

• August Osage County
  • Outstanding Cameo in a Play, Mark Yeager as “Beverly Weston”

Tantallon Community Theatre

• The Color Purple
  • Outstanding Cameo in a Musical, Brenda Parker as “Church Soloist”
  • Outstanding Choreography, Taurean Maray Barber

• Macbeth, Fall 2013
• Caught In The Web, Winter 2014
• South Pacific, Spring 2014

Schedule is subject to change due to performance rights conflicts or other issues. Specific dates of performances and auditions are yet to be announced.

• 2nd Star Productions
• Aldersgate Church Community Theatre
• The Alliance Theatre
• The Arlington Players
• Capital City Players of DC
• Bowie Community Theatre
• Castaways Repertory Theatre
• Taking Flight Theatre Company
• Chevy Chase Players
• Colonial Players of Annapolis
• Damascus Theatre Company
• Dominion Stage
• Elden Street Players
• Fauquier Community Theatre
• Greenbelt Arts Center
• Hard Bargain Players
• Kensington Arts Theatre
• Laurel Mill Playhouse
• Little Theatre of Alexandria
• McLean Community Players
• Montgomery Playhouse
• Port City Playhouse
• Port Tobacco Players
• Prince George’s Little Theatre
• Prince William Little Theatre
• Providence Players of Fairfax
• Reston Community Players
• Rockville Little Theatre
• Rockville Musical Theatre
• St. Mark’s Players
• Silver Spring Stage
• Tantallon Community Players
• Vienna Theatre Company

The nominations are provided by category and then by theater.

The Award Presentation will be held on March 17th at the Birchmere in Alexandria, Virginia. Tickets can be purchased for $15.50 at the Birchmere Box Office or through Ticketmaster (additional fees will apply). Last year the ceremony sold out, so order your tickets early!

In each of the thirty-eight categories, five nominees were selected based on the average scores of eight judges. In some categories, due to score ties, more than five nominees are announced. Nominations are provided in alphabetical order by nominee.

Nominations for outstanding technical achievements

Outstanding Set Design in a Musical

• Bill Brown & Chad Wheeler, Meet Me in St. Louis, Damascus Theatre Company
• Matt Karner, Sunday in the Park with George, Kensington Arts Theatre
• Tim Kirk & Martha Lynch, Into the Woods, Fauquier Community Theatre
• Russell Kopp, A Little Night Music, Arlington Players
• John Merritt, Ryan Mudd, Ben Simpson, The Sound of Music, Port Tobacco Players

Outstanding Set Design in a Play

• John Coscia, You Can’t Take It With You, Providence Players of Fairfax
• John Downing, Heaven Can Wait, Little Theatre of Alexandria
• John Downing, Witness for the Prosecution, Little Theatre of Alexandria
• Raedun Knutsen & Chip Gertzog, Side Man, Providence Players of Fairfax
• Jane B. Wingard, The Lion in Winter, 2nd Star Productions

Outstanding Set Construction in a Musical

• Matt Karner & Joel Richon, Sunday in the Park with George, Kensington Arts Theatre
• Tim Kirk & Kirk Noé, Into the Woods, Fauquier Community Theatre
• Jim Korte & Bill Rippey, Meet Me in St. Louis, Damascus Theatre Company
• Ryan Mudd, The Sound of Music, Port Tobacco Players
• Joe Stine & John Merritt, The Wizard of Oz, Port Tobacco Players

Outstanding Set Construction in a Play

• John Coscia, You Can’t Take It With You, Providence Players of Fairfax
• John Downing, Heaven Can Wait, Little Theatre of Alexandria
• John Downing, Witness for the Prosecution, Little Theatre of Alexandria
• Chip Gertzog et al, Side Man, Providence Players of Fairfax
• Bernie Gmiter, Bob Schroth, Bill Glikbarg, Deathtrap, McLean Community Players
• Timothy Hinton & David Johnson, August Osage County, Reston Community Players
• John Merritt, To Kill A Mockingbird, Port Tobacco Players

Outstanding Set Painting in a Musical

• Nancy Daugherty et al, Into the Woods, Fauquier Community Theatre
• Jill Hanger, Rhonna Johnson, Betsy Stevens, The Sound of Music, Port Tobacco Players
• Ronna Johnson, The Wizard of Oz, Port Tobacco Players
• Jane B. Wingard, Fiddler on the Roof, 2nd Star Productions
• Jane B. Wingard, Oklahoma, 2nd Star Productions

Outstanding Set Painting in a Play

• Erin Cumbo et al, Someone Who’ll Watch Over Me, Port City Playhouse
• Chip Gertzog, Side Man, Providence Players of Fairfax
• Mary Hutzler, Heaven Can Wait, Little Theatre of Alexandria
• Jane B. Wingard, Bloody Murder, 2nd Star Productions
• Jane B. Wingard et al, The Lion in Winter, 2nd Star Productions

Outstanding Set Decoration and Set Dressing in a Musical

• Sheila Draper, The Sound of Music, Port Tobacco Players
• Lindsey Hays, A Little Night Music, Arlington Players
• Ronna Johnson, The Wizard of Oz, Port Tobacco Players
• Tim Kirk, Into the Woods, Fauquier Community Theatre
• Maria Littlefield, Meet Me in St. Louis, Damascus Theatre Company

Outstanding Set Decoration and Set Dressing in a Play

• Lisa Church & Chip Gertzog, You Can’t Take It With You, Providence Players of Fairfax
• Edd Miller, Chapter Two, Colonial Players of Annapolis
• Kathy White, Side Man, Providence Players of Fairfax
• Dinnie Whitson, Cathy Farnsworth, Christine Whitson, Deathtrap, McLean Community Players
• Jane B. Wingard et al, The Lion in Winter, 2nd Star Productions

Outstanding Properties in a Musical

• Avery Burns, A Little Night Music, Arlington Players
• Terri Fortney-Beinert, The Sound of Music, Port Tobacco Players
• Maria Littlefield, Meet Me in St. Louis, Damascus Theatre Company
• Richard Perryman et al, Into the Woods, Fauquier Community Theatre
• Joanne D. Wilson, Fiddler on the Roof, 2nd Star Productions

Outstanding Properties in a Play

• Emily Besuden, Jerry Gideon, Dick La Porte, Deathtrap, McLean Community Players
• Mary Jo Ford & Alexandra Lee, August Osage County, Reston Community Theatre
• Chip Gertzog, You Can’t Take It With You, Providence Players of Fairfax
• Susan Kaplan, Side Man, Providence Players of Fairfax
• Robbie Snow et al, Sleuth, Providence Players of Fairfax
• Joanne D. Wilson, The Lion in Winter, 2nd Star Productions

Outstanding Lighting Design in a Musical

• Kevin Boyce, Night of the Living Dead, The Musical, Kensington Arts Theatre
• Garret R. Hyde, Fiddler on the Roof, 2nd Star Productions
• Tim Kirk, Into the Woods, Fauquier Community Theatre
• Ben Levine, Sunday in the Park with George, Kensington Arts Theatre
• B. Keith Ryder, A Little Night Music, Arlington Players
• Tommy Scott, The Sound of Music, Port Tobacco Players

Outstanding Lighting Design in a Play

• Ken & Patti Crowley, August Osage County, Reston Community Players
• Ken & Patti Crowley, Cantorial, Little Theatre of Alexandria
• Frank Florentine & Shirley Panek, Chapter Two, Colonial Players of Annapolis
• Chip Gertzog, Side Man, Providence Players of Fairfax
• Bob Zeigler, Deathtrap, McLean Community Players

Outstanding Sound Design in a Musical

• Keith Bell, A Little Night Music, The Arlington Players
• Kevin Garrett, Sunday in the Park with George, Kensington Arts Theatre
• Tim Kirk, Into the Woods, Fauquier Community Theatre
• Matt Rowe, Night of the Living Dead, The Musical, Kensington Arts Theatre
• Gerhard Straub, The Wizard of Oz, Port Tobacco Players

Outstanding Sound Design in a Play

• Chris Alpiar, Equus, Taking Flight Theatre Company
• Jamie Coupar, The Beauty Queen of Leenane, Silver Spring Stage
• Jimmy Gertzog & Chip Gertzog, Side Man, Providence Players of Fairfax
• Stan Harris, Flowers for Algernon, Elden Street Players
• Janice Rivera, Cantorial, Little Theatre of Alexandria

Outstanding Costume Design in a Musical

• Pat Brennan, The Sound of Music, Port Tobacco Players
• Pat Brennan, The Wizard of Oz, Port Tobacco Players
• Eleanor Dicks, Sunday in the Park with George, Kensington Arts Theatre
• Grant Kevin Lane, A Little Night Music, The Arlington Players
• Susan Noé & Martha Lynch, Into the Woods, Fauquier Community Theatre

Outstanding Costume Design in a Play

• Patricia Kratzer et al, Enchanted April, Silver Spring Stage
• Jean Schlichting & Kit Sibley, Heaven Can Wait, Little Theatre of Alexandria
• Robbie Snow, You Can’t Take It With You, Providence Players of Fairfax
• Linda Swann, The Lion in Winter, 2nd Star Productions
• Beth Terranova, Cinderella Waltz, Colonial Players of Annapolis
• Beth Terranova, Going to St. Ives, Colonial Players of Annapolis

Outstanding Makeup Design in a Musical

• Heather Bauer & Kaitelyn Bauer, The Wizard of Oz, Port Tobacco Players
• Kristina Friedgen, Sweeney Todd, Little Theatre of Alexandria
• Eric Jones, Sunday in the Park with George, Kensington Arts Theatre
• Tim Kirk & Rebecca Carver, Into the Woods, Fauquier Community Theatre
• Larissa Norris, Dreamgirls, Dominion Stage

Outstanding Makeup Design in a Play

• Laurie T. Freed & Cast, Enchanted April, Silver Spring Stage
• Beth Harrison, Side Man, Providence Players of Fairfax
• Beth Harrison, You Can’t Take It With You, Providence Players of Fairfax
• Sheila Hyman & Shemika Berry, The Taming of the Shrew, Castaways Repertory Theatre
• Sue Pinkman, Lend Me A Tenor, Reston Community Players

Outstanding Hair Design in a Musical

• Shemika Berry, The Color Purple, Tantallon Community Players
• Kristina Friedgen, Sweeney Todd, Little Theatre of Alexandria
• Malca Giblin, Dreamgirls, Dominion Stage
• Malca Giblin, Sunday in the Park with George, Kensington Arts Theatre
• Bette Williams, A Little Night Music, The Arlington Players

Outstanding Hair Design in a Play

• Beth Harrison, You Can’t Take It With You, Providence Players of Fairfax
• Chanukan Jane Lilburne, Heaven Can Wait, Little Theatre of Alexandria
• Robin Parker & Hannah Wolf, All the King’s Women, Little Theatre of Alexandria
• Gina Quaye, Going to St. Ives, Colonial Players of Annapolis
• Arthur Rodger, Flowers for Algernon, Elden Street Players
• Bette Williams, Witness for the Prosecution, Little Theatre of Alexandria

Outstanding Special Effects

• John Decker & Kevin Boyce, Night of the Living Dead, The Musical, Kensington Arts Theatre
• Chip Gertzog, You Can’t Take It With You, Providence Players of Fairfax
• Tim Kirk, Into the Woods, Fauquier Community Theatre
• Keith Linville, Joe Stine, John Merritt, The Wizard of Oz, Port Tobacco Players
• Jordan Rose & Doe B. Kim, Sunday in the Park with George, Kensington Arts Theatre

Nominations for outstanding performances by an actor or actress

Outstanding cameo in a musical

• Joseph Aquilina as “Kyle,” Legally Blonde, Reston Community Players
• Chrissy Barnett Miller as “Jolene Oakes,” Dirty Rotten Scoundrels, Damascus Theatre Company
• Karen Batra as “Marge MacDougall,” Promises, Promises, The Arlington Players
• Erica Drezek as “Berthe,” Pippin, Greenbelt Arts Center
• Brenda Parker as “Church Soloist,” The Color Purple, Tantallon Community Players

Outstanding cameo in a play

• Katherine Bisulca as “Sales Girl,” Red Scare on Sunset, Prince William Little Theatre
• Bob Burnett as “Beverly Carlton,” The Man Who Came to Dinner, Fauquier Community Theatre
• Carleigh Jones as “Doris,” The Hollow, Laurel Mill Playhouse
• Stuart Orloff as “Teen Charlie,” Flowers for Algernon, Elden Street Players
• Yvonne Paretzky as “Addie,” The Little Foxes, Rockville Little Theatre
• Shelley Rochester as “Mrs. Winsley,” Stop Kiss, Silver Spring Stage
• Mark Yeager as “Beverly Weston,” August Osage County, Reston Community Players

Outstanding featured actress in a musical

• Annie Coffman as “Anne Egerman,” A Little Night Music, The Arlington Players
• Amy Dolan as “The Mother Abbess,” The Sound of Music, Port Tobacco Players
• Annie Ermlick as “Sister Mary Amnesia,” Nunsense, The Alliance Theatre
• Shanice Jones as “Sofia,” The Color Purple, Tantallon Community Players
• Molly Hicks Larson as “Paulette Buonofuonte,” Legally Blonde, Reston Community Players
• Anne Marie Pinto as “Petra,” A Little Night Music, The Arlington Players

Outstanding featured actor in a musical

• Stephen Deininger as “Tateh,” Ragtime, Laurel Mill Playhouse
• Michael J. Galizia as “Jud Fry,” Oklahoma, 2nd Star Productions
• Malcolm Lee as “Jimmy Early,” Dreamgirls, Dominion Stage
• Gary Saddon as “Ali Hakim,” Oklahoma, 2nd Star Productions
• Stephen Yednock as “Nicely-Nicely Johnson,” Guys and Dolls, Tantallon Community Players

Outstanding featured actress in a play

• Monica Garcia as “Mother McGee,” Cinderella Waltz, Colonial Players of Annapolis
• Lorraine Magee as “Virginia,” Clean House, Elden Street Players
• Gayle Nichols-Grimes as “Mattie Fae Aiken,” August Osage County, Reston Community Players
• Gayle Nichols-Grimes as “Vernadette Simms,” The Dixie Swim Club, Port City Playhouse
• Shelley Rochester as “Costanza,” Enchanted April, Silver Spring Stage
• Lois A. Stanziani as “Helga ten Dorp,” Deathtrap, McLean Community Players

Outstanding featured actor in a play

• Chuck Dluhy as “Roma,” Glengary Glen Ross, Elden Street Players
• Michael Kharfen as “Levene,” Glengary Glen Ross, Elden Street Players
• Stuart Rick as “Benjamin Hubbard,” The Little Foxes, Rockville Little Theatre
• John Shackelford as “Max Levene,” Heaven Can Wait, Little Theatre of Alexandria
• Kevin Wallace as “Victor Fleming,” Moonlight and Magnolias, Colonial Players of Annapolis

Outstanding lead actress in a musical

• Madeline Botteri as “Monica,” Rooms, A Rock Romance, Kensington Arts Theatre
• Shawnee Louise Coleman-Lining as “Effie Melody White,” Dreamgirls, Dominion Stage
• Andrea Gerald as “Cellie,” The Color Purple, Tantallon Community Players
• Jennifer Lyons Pagnard as “Mrs. Lovett,” Sweeney Todd, Little Theatre of Alexandria
• Farrell Parker as “Dot/Marie,” Sunday in the Park with George, Kensington Arts Theatre

Outstanding lead actor in a musical

• Ryan Burke as “Georges/George,” Sunday in the Park with George, Kensington Arts Theatre
• Eric Jones as “Ian,” Rooms, A Rock Romance, Kensington Arts Theatre
• Fred Nelson as “Tevye,” Fiddler on the Roof, 2nd Star Productions
• Gabriel T. Potter as “Freddy Benson,” Dirty Rotten Scoundrels, Damascus Theatre Company
• Brent Stone as “Fredrik Egerman,” A Little Night Music, The Arlington Players

Outstanding lead actress in a play

• Lolita-Marie as “May N’Kame,” Going to St. Ives, Colonial Players of Annapolis
• Heather Quinn as “Dr. Cora Gage,” Going to St. Ives, Colonial Players of Annapolis
• Lee Slivka as “Barbara Fordham,” August Osage County, Reston Community Players
• Mary Suib as “Violet Weston,” August Osage County, Reston Community Players
• Jo Sullivan as “Jennie Malone,” Chapter Two, Colonial Players of Annapolis

Outstanding lead actor in a play

• Dann Alagna as “Zed,” Cinderella Waltz, Colonial Players of Annapolis
• Matt Baughman as “Charlie Gordon,” Flowers for Algernon, Elden Street Players
• Phil Hosford as “Ralph Wantage,” Frozen, Rockville Little Theatre
• Sandy Irving as “Richard Nixon,” Frost/Nixon, Greenbelt Arts Center
• Ryan Manning as “Max Levene,” Lend Me A Tenor, Reston Community Players

Nominations for outstanding achievement in overall production

Outstanding Stage Combat Choreography

• Steve Lada, August Osage County, Reston Community Players
• Steve Lada, Equus, Taking Flight Theatre Company
• Carl Brandt Long, Deathtrap, McLean Community Players
• Carl Brandt Long, Man of La Mancha, McLean Community Players
• Kevin Robertson, The Taming of the Shrew, Castaways Repertory Theatre

Outstanding Choreography

• Richelle “Rikki” Howie, Dreamgirls, Dominion Stage
• Martha Lynch, Into the Woods, Fauquier Community Theatre
• Taurean Maray Barber, The Color Purple, Tantallon Community Players
• Vincent Musgrave, A Chorus Line, Rockville Musical Theatre
• Corinne Shumaker, The Music Man, Fauquier Community Theatre

Outstanding Music Direction

• LaVar Betts, The Color Purple, Tantallon Community Players
• John-Michael d’Haviland, A Little Night Music, The Arlington Players
• John-Michael d’Haviland, Dreamgirls, Dominion Stage
• John-Michael d’Haviland, Spring Awakening, Dominion Stage
• David Rohde, Sunday in the Park with George, Kensington Arts Theatre

Outstanding Direction of a Musical

• Brian Douglas, Fiddler on the Roof, 2nd Star Productions
• Christopher Dykton, A Little Night Music, The Arlington Players
• Craig Petinatti, Sunday in the Park with George, Kensington Arts Theatre
• Joshua Redford, Legally Blonde, Reston Community Players
• Charla Rowe, The Color Purple, Tantallon Community Players

Outstanding Direction of a Play

• Gloria DuGan, Flowers for Algernon, Elden Street Players
• Jimmy Gertzog, Side Man, Providence Players of Fairfax
• Ron Giddings, Moonlight and Magnolias, Colonial Players of Annapolis
• Edd Miller, Going to St. Ives, Colonial Players of Annapolis
• Andrew JM Regiec, August Osage County, Reston Community Players

Outstanding Musical

• A Little Night Music, The Arlington Players
• Dreamgirls, Dominion Stage
• Sunday in the Park with George, Kensington Arts Theatre
• The Color Purple, Tantallon Community Players
• The Sound of Music, Port Tobacco Players

Outstanding Play

• August Osage County, Reston Community Players
• Flowers for Algernon, Elden Street Players
• Going to St. Ives, Colonial Players of Annapolis
• Moonlight and Magnolias, Colonial Players of Annapolis
• Side Man, Providence Players of Fairfax

Nominations sorted by theatre and show

2nd Star Productions

4 productions received 14 nominations total

Bloody Murder

• Outstanding Set Painting in a Play: Jane B. Wingard

Fiddler on the Roof

• Outstanding Direction of a Musical: Brian Douglas
• Outstanding Lead Actor in a Musical: Fred Nelson as “Tevye”
• Outstanding Light Design in a Musical: Garret R. Hyde
• Outstanding Properties in a Musical: Joanne D. Wilson
• Outstanding Set Painting in a Musical: Jane B. Wingard

Oklahoma

• Outstanding Featured Actor in a Musical: Michael J. Galizia as “Jud Fry”
• Outstanding Featured Actor in a Musical: Gary Saddon as “Ali Hakim”
• Outstanding Set Painting in a Musical: Jane B. Wingard

The Lion in Winter

• Outstanding Costume Design in a Play: Linda Swann
• Outstanding Properties in a Play: Joanne D. Wilson
• Outstanding Set Decoration in a Play: Jane B. Wingard et al
• Outstanding Set Design in a Play: Jane B. Wingard
• Outstanding Set Painting in a Play: Jane B. Wingard et al

Alliance Theatre

1 production received 1 nomination

Nunsense

• Outstanding Featured Actress in a Musical: Annie Ermlick as “Sister Mary Amnesia”

Arlington Players

2 productions received 14 nominations total

A Little Night Music

• Outstanding Costume Design in a Musical: Grant Kevin Lane
• Outstanding Direction of a Musical: Christopher Dykton
• Outstanding Featured Actress in a Musical: Annie Coffman as “Anne Egerman”
• Outstanding Featured Actress in a Musical: Anne Marie Pinto as “Petra”
• Outstanding Hair Design in a Musical: Bette Williams
• Outstanding Lead Actor in a Musical: Brent Stone as “Fredrik Egerman”
• Outstanding Light Design in a Musical: B. Keith Ryder
• Outstanding Music Direction: John-Michael d’Haviland
• Outstanding Musical
• Outstanding Properties in a Musical: Avery Burns
• Outstanding Set Decoration in a Musical: Lindsey Hays
• Outstanding Set Design in a Musical: Russell Kopp
• Outstanding Sound Design in a Musical: Keith Bell

Promises, Promises

• Outstanding Cameo in a Musical: Karen Batra as “Marge MacDougall”

Castaways Repertory Theatre

1 production received 2 nominations

The Taming of the Shrew

• Outstanding Makeup Design in a Play: Sheila Hyman & Shemika Berry
• Outstanding Stage Combat Choreography: Kevin Robertson

Colonial Players

4 productions received 15 nominations total

Chapter Two

• Outstanding Lead Actress in a Play: Jo Sullivan as “Jennie Malone”
• Outstanding Light Design in a Play: Frank Florentine & Shirley Panek
• Outstanding Set Decoration in a Play: Edd Miller

Cinderella Waltz

• Outstanding Costume Design in a Play: Beth Terranova
• Outstanding Featured Actress in a Play: Monica Garcia as “Mother McGee”
• Outstanding Lead Actor in a Play: Dann Alagna as “Zed”

Going to St. Ives

• Outstanding Costume Design in a Play: Beth Terranova
• Outstanding Direction of a Play: Edd Miller
• Outstanding Hair Design in a Play: Gina Quaye
• Outstanding Lead Actress in a Play: Lolita-Marie as “May N’Kame”
• Outstanding Lead Actress in a Play: Heather Quinn as “Dr. Cora Gage”
• Outstanding Play

Moonlight and Magnolias

• Outstanding Direction of a Play: Ron Giddings
• Outstanding Featured Actor in a Play: Kevin Wallace as “Victor Fleming”
• Outstanding Play

Damascus Theatre Company

2 productions received 6 nominations total

Dirty Rotten Scoundrels

• Outstanding Cameo in a Musical: Chrissy Barnett Miller as “Jolene Oakes”
• Outstanding Lead Actor in a Musical: Gabriel T. Potter as “Freddy Benson”

Meet Me in St. Louis

• Outstanding Properties in a Musical: Maria Littlefield
• Outstanding Set Construction in a Musical: Jim Korte & Bill Rippey
• Outstanding Set Decoration in a Musical: Maria Littlefield
• Outstanding Set Design in a Musical: Bill Brown & Chad Wheeler

Dominion Stage

2 productions received 8 nominations total

Dreamgirls

• Outstanding Choreography: Richelle “Rikki” Howie
• Outstanding Featured Actor in a Musical: Malcolm Lee as “Jimmy Early”
• Outstanding Hair Design in a Musical: Malca Giblin
• Outstanding Lead Actress in a Musical: Shawnee Louise Coleman-Lining as “Effie Melody White”
• Outstanding Makeup Design in a Musical: Larissa Norris
• Outstanding Music Direction: John-Michael d’Haviland
• Outstanding Musical

Spring Awakening

• Outstanding Music Direction: John-Michael d’Haviland

Elden Street Players

4 productions received 10 nominations total

Clean House

• Outstanding Featured Actress in a Play: Lorraine Magee as “Virginia”

Flowers for Algernon

• Outstanding Cameo in a Play: Stuart Orloff as “Teen Charlie”
• Outstanding Direction of a Play: Gloria DuGan
• Outstanding Hair Design in a Play: Arthur Rodger
• Outstanding Lead Actor in a Play: Matt Baughman as “Charlie Gordon”
• Outstanding Play
• Outstanding Sound Design in a Play: Stan Harris

Glengary Glen Ross

• Outstanding Featured Actor in a Play: Chuck Dluhy as “Roma”
• Outstanding Featured Actor in a Play: Michael Kharfen as “Levene”

Rooms, A Rock Romance

• Outstanding Set Design in a Musical: James Villarubia

Fauquier Community Theatre

3 productions received 13 nominations total

Into the Woods

• Outstanding Choreography: Martha Lynch
• Outstanding Costume Design in a Musical: Susan Noe & Martha Lynch
• Outstanding Light Design in a Musical: Tim Kirk
• Outstanding Makeup Design in a Musical: Tim Kirk & Rebecca Carver
• Outstanding Properties in a Musical: Richard Perryman et al
• Outstanding Set Construction in a Musical: Tim Kirk & Kirk Noe
• Outstanding Set Decoration in a Musical: Tim Kirk
• Outstanding Set Design in a Musical: Tim Kirk & Martha Lynch
• Outstanding Set Painting in a Musical: Nancy Daugherty et al
• Outstanding Sound Design in a Musical: Tim Kirk
• Outstanding Special Effects: Tim Kirk

The Man Who Came to Dinner

• Outstanding Cameo in a Play: Bob Burnett as “Beverly Carlton”

The Music Man

• Outstanding Choreography: Corinne Shumaker

Greenbelt Arts Center

2 productions received 2 nominations total

Frost/Nixon

• Outstanding Lead Actor in a Play: Sandy Irving as “Richard Nixon”

Pippin

• Outstanding Cameo in a Musical: Erica Drezek as “Berthe”

Kensington Arts Theatre

3 productions received 18 nominations total

Night of the Living Dead, The Musical

• Outstanding Light Design in a Musical: Kevin Boyce
• Outstanding Sound Design in a Musical: Matt Rowe
• Outstanding Special Effects: John Decker & Kevin Boyce

Rooms, A Rock Romance

• Outstanding Lead Actor in a Musical: Eric Jones as “Ian”
• Outstanding Lead Actress in a Musical: Madeline Botteri as “Monica”

Sunday in the Park with George

• Outstanding Costume Design in a Musical: Eleanor Dicks
• Outstanding Direction of a Musical: Craig Pettinati
• Outstanding Hair Design in a Musical: Malca Giblin
• Outstanding Lead Actor in a Musical: Ryan Burke as “Georges/George”
• Outstanding Lead Actress in a Musical: Farrell Parker as “Dot/Marie”
• Outstanding Light Design in a Musical: Ben Levine
• Outstanding Makeup Design in a Musical: Eric Jones
• Outstanding Music Direction: David Rohde
• Outstanding Musical
• Outstanding Set Construction in a Musical: Matt Karner & Joel Richon
• Outstanding Set Design in a Musical: Matt Karner
• Outstanding Sound Design in a Musical: Kevin Garrett
• Outstanding Special Effects: Jordan Rose & Doe B. Kim

Laurel Mill Playhouse

2 productions received 2 nominations total

Ragtime

• Outstanding Featured Actor in a Musical: Stephen Deininger as “Tateh”

The Hollow

• Outstanding Cameo in a Play: Carleigh Jones as “Doris”

Little Theatre Of Alexandria

5 productions received 15 nominations total

All the King’s Women

• Outstanding Hair Design in a Play: Robin Parker & Hannah Wolf

Cantorial

• Outstanding Light Design in a Play: Ken & Patti Crowley
• Outstanding Sound Design in a Play: Janice Rivera

Heaven Can Wait

• Outstanding Costume Design in a Play: Jean Schlichting & Kit Sibley
• Outstanding Featured Actor in a Play: John Shackelford as “Max Levene”
• Outstanding Hair Design in a Play: Chanukan Jane Lilburne
• Outstanding Set Construction in a Play: John Downing
• Outstanding Set Design in a Play: John Downing
• Outstanding Set Painting in a Play: Mary Hutzler

Sweeney Todd

• Outstanding Hair Design in a Musical: Kristina Friedgen
• Outstanding Lead Actress in a Musical: Jennifer Lyons Pagnard as “Mrs. Lovett”
• Outstanding Makeup Design in a Musical: Kristina Friedgen

Witness for the Prosecution

• Outstanding Hair Design in a Play: Bette Williams
• Outstanding Set Construction in a Play: John Downing
• Outstanding Set Design in a Play: John Downing

Mclean Community Players

2 productions received 7 nominations total

Deathtrap

• Outstanding Featured Actress in a Play: Lois A. Stanziani as “Helga ten Dorp”
• Outstanding Light Design in a Play: Bob Zeigler
• Outstanding Properties in a Play: Emily Besuden, Jerry Gideon, Dick La Porte
• Outstanding Set Construction in a Play: Bernie Gmiter, Bob Schroth, Bill Glikbarg
• Outstanding Set Decoration in a Play: Dinnie Whitson, Cathy Farnsworth, Christine Whitson
• Outstanding Stage Combat Choreography: Carl Brandt Long

Man of La Mancha

• Outstanding Stage Combat Choreography: Carl Brandt Long

Port City Playhouse

2 productions received 2 nominations total

Someone Who’ll Watch Over Me

• Outstanding Set Painting in a Play: Erin Cumbo, et al

The Dixie Swim Club

• Outstanding Featured Actress in a Play: Gayle Nichols-Grimes as “Vernadette Simms”

Port Tobacco Players

3 productions received 17 nominations total

The Sound of Music

• Outstanding Costume Design in a Musical: Pat Brennan
• Outstanding Featured Actress in a Musical: Amy Dolan as “The Mother Abbess”
• Outstanding Light Design in a Musical: Tommy Scott
• Outstanding Musical
• Outstanding Properties in a Musical: Terri Fortney-Beinert
• Outstanding Set Construction in a Musical: Ryan Mudd
• Outstanding Set Decoration in a Musical: Sheila Draper
• Outstanding Set Design in a Musical: John Merritt, Ryan Mudd, Ben Simpson
• Outstanding Set Painting in a Musical: Jill Hanger, Rhonna Johnson, Betsy Stevens

The Wizard of Oz

• Outstanding Costume Design in a Musical: Pat Brennan
• Outstanding Makeup Design in a Musical: Heather Bauer & Kaitelyn Bauer
• Outstanding Set Construction in a Musical: Joe Stine & John Merritt
• Outstanding Set Decoration in a Musical: Ronna Johnson
• Outstanding Set Painting in a Musical: Ronna Johnson
• Outstanding Sound Design in a Musical: Gerhard Straub
• Outstanding Special Effects: Keith Linville, Joe Stine, John Merritt

To Kill A Mockingbird

• Outstanding Set Construction in a Play: John Merritt

Prince William Little Theatre

1 production received 1 nomination

Red Scare on Sunset

• Outstanding Cameo in a Play: Katherine Bisulca as “Sales Girl”

Providence Players

3 productions received 19 nominations total

Side Man

• Outstanding Direction of a Play: Jimmy Gertzog
• Outstanding Light Design in a Play: Chip Gertzog
• Outstanding Makeup Design in a Play: Beth Harrison
• Outstanding Play
• Outstanding Properties in a Play: Susan Kaplan
• Outstanding Set Construction in a Play: Chip Gertzog et al
• Outstanding Set Decoration in a Play: Kathy White
• Outstanding Set Design in a Play: Raedun Knutsen & Chip Gertzog
• Outstanding Set Painting in a Play: Chip Gertzog
• Outstanding Sound Design in a Play: Jimmy Gertzog & Chip Gertzog

Sleuth

• Outstanding Properties in a Play: Robbie Snow et al

You Can’t Take it With You

• Outstanding Costume Design in a Play: Robbie Snow
• Outstanding Hair Design in a Play: Beth Harrison
• Outstanding Makeup Design in a Play: Beth Harrison
• Outstanding Properties in a Play: Chip Gertzog
• Outstanding Set Construction in a Play: John Coscia
• Outstanding Set Decoration in a Play: Lisa Church & Chip Gertzog
• Outstanding Set Design in a Play: John Coscia
• Outstanding Special Effects: Chip Gertzog

Reston Community Players

3 productions received 15 nominations total

August Osage County

• Outstanding Cameo in a Play: Mark Yeager as “Beverly Weston”
• Outstanding Direction of a Play: Andrew JM Regiec
• Outstanding Featured Actress in a Play: Gayle Nichols-Grimes as “Mattie Fae Aiken”
• Outstanding Lead Actress in a Play: Lee Slivka as “Barbara Fordham”
• Outstanding Lead Actress in a Play: Mary Suib as “Violet Weston”
• Outstanding Light Design in a Play: Ken & Patti Crowley
• Outstanding Play
• Outstanding Properties in a Play: Mary Jo Ford & Alexandra lee
• Outstanding Set Construction in a Play: Timothy Hinton & David Johnson
• Outstanding Stage Combat Choreography: Steve Lada

Legally Blonde

• Outstanding Cameo in a Musical: Joseph Aquilina as “Kyle”
• Outstanding Direction of a Musical: Joshua Redford
• Outstanding Featured Actress in a Musical: Molly Hicks Larson as “Paulette Buonofuonte”

Lend Me A Tenor

• Outstanding Lead Actor in a Play: Ryan Manning as “Max Levene”
• Outstanding Makeup Design in a Play: Sue Pinkman

Rockville Little Theatre

2 productions received 3 nominations total

Frozen

• Outstanding Lead Actor in a Play: Phil Hosford as “Ralph Wantage”

The Little Foxes

• Outstanding Cameo in a Play: Yvonne Paretzky as “Addie”
• Outstanding Featured Actor in a Play: Stuart Rick as “Benjamin Hubbard”

Rockville Musical Theatre

1 production received 1 nomination

A Chorus Line

• Outstanding Choreography: Vincent Musgrave

Silver Spring Stage

3 productions received 5 nominations total

Beauty Queen of Leenane

• Outstanding Sound Design in a Play: Jamie Coupar

Enchanted April

• Outstanding Costume Design in a Play: Patricia Kratzer et al
• Outstanding Featured Actress in a Play: Shelley Rochester as “Costanza”
• Outstanding Makeup Design in a Play: Laurie T. Freed & Cast

Stop Kiss

• Outstanding Cameo in a Play: Shelley Rochester as “Mrs. Winsley”

Taking Flight Theatre Company

1 production received 2 nominations

Equus

• Outstanding Sound Design in a Play: Chris Alpiar
• Outstanding Stage Combat Choreography: Steve Lada

Tantallon Community Theatre

2 productions received 9 nominations total

Guys and Dolls

• Outstanding Featured Actor in a Musical: Stephen Yednock as “Nicely-Nicely Johnson”

The Color Purple

• Outstanding Cameo in a Musical: Brenda Parker as “Church Soloist”
• Outstanding Choreography: Taurean Maray Barber
• Outstanding Direction of a Musical: Charla Rowe
• Outstanding Featured Actress in a Musical: Shanice Jones as “Sofia”
• Outstanding Hair Design in a Musical: Shemika Berry
• Outstanding Lead Actress in a Musical: Andrea Gerald as “Cellie”
• Outstanding Music Direction: LaVar Betts
• Outstanding Musical

Bubbies….Let us start from the end of this show. It really is not all that sad an ending. Our Anatevkaner refugees have three doors through which to move into new lives after expulsion from their homes. The ones who go through Door #1 will end up in Palestine working like pack animals for the Tsar’s cousin. Those who go through Door #2 and move elsewhere into Eastern Europe will live uncertainly until they emigrate to the New World or else die in the monster pogroms to come. The ones who accompany Tevye, wife Golde and the two little girls, Shprintze and Bielke, to the United States will live happily ever after and invent the all you can eat Chinese Buffet. Ding, ding, ding, ding!!!!

Fiddler on the Roof is based on the Tevye stories of Solomon Naumovich Rabinovich, a Galicianer Jew, writing as Sholem Aleichem. He elevated the Yiddish language from “jargon” to a near classical language with influence over contemporary American English. Though Galicianers were considered not as scholarly and literate as the Litvaks, it was Sholem Aleichem, a Galicianer, who was known in Europe as The Jewish Mark Twain. The ever ecumenical Samuel Langhorne Clemens cast himself, in return, as The American Sholem Aleichem.

The Tevye stories were combined with the story of Joel Russ and his Russ and Daughters delicatessen on the lower east side of New York, where all of the principals of the original production shopped and ate…and…they had a show!

Fiddler on the Roof takes place in 1905. It is in 1905 that Sholem Aleichem moves to the United States. Nicholas II, Tsar and Autocrat of All The Russias, abdicates absolute power and becomes a constitutional monarch after the 1905 Revolution establishes the first Russian House of Representatives known as the Duma. In 1905 Albert Einstein, another member of the tribe, with the assistance of his equally brilliant wife, Mileva Maric, not a member of the tribe, proposes the special theory of relativity. Alfred Dreyfus is living in Paris with a pardon for conviction of and waiting for exoneration of the false treason charges brought against him in France because he was Jewish. Moshe Mabovich of Milwaukee, Wisconsin sends to Russia and Poland for his wife and daughters; one of whom is named Golda. And, you guessed it, 1905 is the year that Joel Russ and his daughters arrive in New York and Joel starts selling noshes on the street. Our Anatevkaners don’t live in a vacuum.

Let’s get the difficult part over with and say that Castaways Repertory Theatre’s Fiddler on the Roof is not an umglik…but maybe a bit of a balagon. First of all, this is no Fiddler on the Roof. It is Fiddler…no roof; Fiddler…no fiddling; bow syncing to some occasionally off-key playing in the orchestra. Fiddler…no dance. Oy gevalt! Whelchn mir machn? Maybe Prince William County prohibits playing a violin from a roof. I can believe that. Fiddler on the Roof is a very large show. Large sets, large cast, large dancing and large orchestra. The Prince William County municipal theatre is just too small to stage this show properly and Director Zina Bleck was burdened with staging a behemoth in a small venue that is used concurrently by every local organization, thus requiring the striking of the set after almost every performance. The book, by Joseph Stein, is mildly imperfect to begin with, so the story, without music and dance to cover up the flaws, is not wholly plausible. Although this fact doesn’t have to be fatal this show requires context and state. It has none here because the venue doesn’t afford it. Musically, Fiddler is a mashup of Klezmer music and banal mid 20th century Tin Pan Alley. Klezmer music is an emotional, eternal and lyrical score bolstering the music that is the Yiddish language. Recognizable Klezmer dates from at least the 15th century and Klezmer partially underpins Spanish Flamenco music with its origins in 15th century Spain. (And we all know what happened to the Jews in 15th century Spain.) Klezmerim strike even your cynical and nasty Reviewer in her cold heart, but the performance here was a waltz tempo suitable for a restricted country club Saturday night dance. The non Klezmer show music, as composed, really is a last gasp; because, at the same time Fiddler on the Roof is being composed and arranged, two other members of the tribe, Bob Dylan and Brian Epstein are changing popular music forever. The dancing here isn’t quite a shanda, but, on the good side, there isn’t much of it to begin with. The stage is just too small for such a large cast to all dance together without poking an eye out. The Cossack dance was an explicit acknowledgement of two twains (please pardon the pun) being so close and never meeting….until …we’ll get to that in a little bit. That choreography was pretty good even if the execution lacked polish

Do me a favor:ignore that last paragraph and go see this show. The Castaways Repertory Theatre and its actors and crew are so lovely and sincere and nobody’s perfect anyway. Bleck took care to enlist a proper dramaturg and dialect coach (Harry Kantrovich, sounds like a member of the tribe) because otherwise such a show can easily descend into minstrelsy. The cast was so obviously proud to be in this show and they all looked so happy as they were performing. Going to this show is not a mitzvah, just a step in acknowledging dear people trying to do well by doing good. The cast is very large and the production crew could staff a battalion. A lot of care and love went into bringing this show to that pokey stage. So…your reviewer has decided that the usual thesis in reviewing a show should be rejected here and a separate not quite Talmudic question be posed.

How is the show supported and does that support carry the show? Fiddler on the Roof is sustained by three pillars: Tevye, Golde and Yente. Have our Tevye, Golde and Yente held up this show? Lakhlutn. Ding, ding, ding, ding!!! Jim Mitchell (Tevye) is a baritone of such splendid tone, he can be forgiven for speaking like Tony Soprano. On second thought, speaking like Jackie Mason is shtick and Mitchell can choose any kind of Tevye he wants to be. Belying his bearing and his work, Tevye is an educated man. Tevye is a lay philologist and Talmudist who engages in his study as he daydreams and laments his sorry condition to God…who isn’t listening. The real skeleton in the Ark of this show is that Tevye is observant, but he is not religious. He lives in the midst of a cult of Rabbis, yet he pursues another path and that path is the story played out here. His faith is in himself.

Golde (Rachel Harrington), Tevye’s tart wife is caught in a life she doesn’t know she can change. In her middle age she is wearing the proverbial pants in that household, steadfastly dominating over Tevye’s bluster. A very sweet moment in the show is when Tevye and Golde sing “Do You Love Me?” Tevye’s life of pondering leads to this question. Golde can’t conceive of this because it never occurred to her that she could think such a thought or have this kind of a question. And, she is a superstitious interpreter of dreams; but why is she is the object of japery when another member of the tribe, albeit in Vienna, smoking cigars and eating bacon, is publishing his own “The Interpretation of Dreams” and he is seen as a groundbreaking scholar? Golde is not so stupid. Harrington has a clear and strong voice and is charming as a 19th century woman being dragged kicking and screaming into the 20th century.

Yente the Matchmaker (Meganne Johnson) is a bit more ambiguous. Johnson eschews Yiddische shtick completely, for some sort of titter as she carries on bravely portraying a stock Yiddish character. But she’s okay at this. Yente may be a pain in the tuches, but Johnson is endearing and her performance supports the physical narrative of the show well. A minor Mishnaic query: once it becomes clear that no young girl will marry the hoary butcher, Lazar Wolf, why doesn’t Yente just match herself to him and save the young maidels of Anatevka from the overriding fear that some Tati will actually sell his daughter to that old goat for a bunch of free chickens? Lazar will still pay her her commission. Right? Of course…

Our young lovers are sweet. They are not cast badly, considering the amount of young people in this show and the possibilities of role assignments. They could have made a Yiddische Grease or Hairspray with this group. Maybe even True Blood. Motl (Jonathan Blank) is a sweet young man who missed his upsherin. He’s more of a mensch than he seems at first because he does get the girl. He sings his big Motl song “Miracle of Miracles”, but he doesn’t dance. He moves a little bit while Tzeitel (Jennifer Rubio) makes goo goo eyes at him and then the stage becomes spacious. Rubio is very cute; she looks like Barbie, also a member of the tribe. The same with Hodel (Rebecca King) and Perchik (Brian Johnson). King is probably the best singer in the younger group. Johnson tries for the dramatic high notes of his big Perchik song “Now I Have Everything”, but has some tsuris reaching them. Also, there’s no happy Jewish dancing going on here either. Nevertheless, we’re glad for the two of them. They are a match made in heaven by way of a Siberian gulag. Hodel gets to sing her big Hodel song “Far From the Home I Love” but this is not a good time to be sitting down, no matter what the Rabbi says.

Now, on to the twains. Chava (Hannah Sachs) takes up with Fyedka, not a member of the tribe, and marries him in a church. Oy vey ist mir! This is one matzo ball that Tevye is not swallowing and Chavaleh is declared dead…but not for long. Her mother embraces her and her father acknowledges her and they all leave town. But poor Chava and Fyedka don’t get their own song. The ensemble cast is a conglomeration of young people all dressed up like Fidel Castro, amazingly, also a member of the tribe. They are all lovely and doing their best to present a very complex musical. The rabbi (Gavin Tameris) is very smart…like Judge Judy (a member of the tribe); we should all sit down. Poor Tameris gave up trying to sound Yiddish. Whereas Mitchell really believed in his Tevyeness, Tameris’ Rabbiness was a bit tenuous and he looked like he needed some alone time in the men’s mikva.

Perchik and Tevye drag the Anatevkaners into the new century and a new world by dancing with their women in public. This is how we know God is not paying attention….she’s very busy with other stuff. Social ritual commanded that men and women associating in public together would send the men into such paroxysms of lust that that Tzeitel’s wedding to Motl would collapse into some depraved (is there any other kind?) orgy of beards and funny hats with women screaming in erotic desire for cake and copies of “Fifty Shades of Grey”. Well… they all danced together anyway; no orgy, no God yelling at them to stop the unholiness and no Sodom and Gomorrah inferno. That was maybe a little disappointing. However, on the dark side, there is one mildly hairy pogrom which doesn’t result in too much of a mess; which is good because no one there has a maid to clean it up.

Director Bleck is to be congratulated for her non traditional casting. By casting young African-American Jonathan Faircloth as a real yenta, Avram, she elevates the ambitions of the arts and offers opportunities to actors that haven’t been acknowledged before. Maybe some day he will play Tevye. I particularly enjoyed the obvious enjoyment and comfortableness that Faircloth took in being dressed up like he was and fitting well into that group. He looked beautiful. Fruma Sarah (Amy Treat), on the other hand, has been watching too many “Real Housewives” programs, but she had a good time doing this…so as far as this reviewer is concerned….Treat succeeded in her effort because she can shout like Judge Judy.

The costumes were a highlight of the show and Sabrina Chandler and Claudia Tameris put in herculean effort to fringing (tsit tsit) and bearding (Katy Chmura, Rachel Harrington et al) their men…and some of their women. The women were simpler. Slap some schmattes on them and send them out on stage. The large female ensemble swirled and twirled in their long skirts and head schmattes and genuinely looked happy to be there. There was no laziness in this production and the dedication of everyone involved is so appreciable. Bleck took command of an army and won the battle. (Cue Yehoshua blowing his horn).

If beauty is in the eye of the beholder, then this reviewer saw a sweet and warmhearted production of a classic Broadway favorite with fine adult talent and beautiful children singing and dancing their hearts out. We live in a state of such loving diversity that we can all walk in one another’s shoes. There is no more upbeat thing one can do but go out and see Castaways’ Fiddler on the Roof. Go early and stop by the kosher counter at Wegman’s and have a nosh; then go see the show and have a snack at intermission…then go out afterward and eat Chinese buffet. After that, stop at someone’s house for coffee and cake. Mame, not a member of the tribe, said that life is banquet. Let’s not starve ourselves.

Rivke Gittel bat Izio vay Manya Baskir

Director’s Notes

Fiddler on the Roof is set in Tsarist Russia in 1905. It is based on Tevye and His Daughters (or Tevye the Milkman and Other Tales) by Sholem Aleichem that he wrote in Yiddish and published in 1894. Fiddler on the Roof was originally titled Tevye. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and traditions while outside influences impact their lives. The musical’s title stems from the painting “The Fiddler” by Marc Chagall, one of the many surreal paintings he created of Eastern European Jewish life, often including a fiddler. The Fiddler is a metaphor for survival, through traditions and joyfulness, in a life of uncertainty and imbalance.

The original Broadway production of the show, which opened in 1964, had the first musical theatre run in history to surpass 3,000 performances. Fiddler held the record for the longest- running Broadway musical for almost ten years until Grease surpassed its run. It was nominated for ten Tony Awards, winning nine, including Best Musical score, book, direction and choreography.

Working on a show that takes place in the past is always a challenge bor everyone involved. One of the biggest challenges for the actors was to understand and portray characters that are full of life and hope for the future, but fear for the loss of their traditions and their very existence ina country that is making it harder every day for them to remain there. The cast took this task to heart and have worked very hard to bring to life this these wonderful people and this historic show. I cannot thank tham all enough for their hard work and dedication. I hope that you all take away a little of the magic of the Fiddler, which is needed as much now as it was then….

L’Chaim….To Life!

Cast

• Tevye: Jim Mitchell
• Golde: Rachel Harrington
• Tzeitel: Jennifer Rubio
• Hodel: Rebecca King
• Chava: Hannah Sachs
• Motl: Jonathan Blank
• Perchik: Brian Johnson
• Fyedka: Justin Janke
• Lazar Wolf: Chuck Leonard
• Yente: Meganne Johnson
• Constable: Eric Raterman
• Rabbi: Gavin Tameris
• Mendel: Miguel Lopez
• Rabbi’s Wife: Lorraine Crump
• Shaindel: Tricia Delavante
• Avram: Jonathan Faircloth
• Fruma-Sarah: Amy Treat
• Mordcha: Scott Morgan
• Mordcha’s wife: Katy Chmura
• Mordcha’s son: Thomas Bicknell
• Sasha: AlexBedont
• Nahum: Burke Romans-Murray
• Yussel: Barry Stout
• Grandma Tzeitel: Denise Mattingly
• Fiddler: Loren Stout
• Ensemble: Colin Chandler, Mackenzie Chandler, Jen Hood, Pat Jannell, Tammy Janke, Jennifer Lange, Masha Osborn, Ashley Stewart, Nora Zanger

Crew

• Director/Producer: Zina Bleck
• Assistant Director: Joe Philipoom
• Stage Manager: Stcy King
• Choreography: Marji Jepperson, Amy Tret
• Dance Captain: Katy Chmura
• Music Direction: Rachel Harrington, Charlie, Manship, Ken Farley
• Choral Direction: Lorraine Crump, Rachel Harrington
• Vocal Coach: Charlie Manship
• Dialect Coach, Dramaturg: Harry Kantrovich
• Fight Choreography: Zina Bleck
• Set Design: Jules Philipoom, Gavin Tameris, Zina Bleck
• Scenic Artist: Julie Philipoom
• Properties: Pat Jannell, Arwen Bicknell, Dora Osborn
• Lighting Design: Nancy Owens
• Sound Design: “K” Goins-Williams
• Costume Design: Sabrina Chandler, Claudia Tameris
• Hair/ Makeup: Katy Chmura, Rachel Harrington, et al

Disclaimer: Castaways Repertory Theatre provided two complimentary media tickets to ShowBizRadio for this review.

Some stories capture audience’s hearts from the moments they are first performed. They strike a deep chord with people either through their comedy or tragedy. And while time may show in their customs or conventions, audiences still rush to see these perennial plays. However, some shows do not hold up so well. Times change, and so with technology and cultural advancement opinions change as well. While most shows in William Shakespeare’s canon are considered pluperfect, this may not always be the case with modern audiences. Castaway Repertory Theatre’s production of The Taming of The Shrew shows the audience many flaws in the script, as well as in the overall production.

Audiences all over the world are well acquainted with the premise of The Taming of the Shrew, as it has been the basis for other dramatic works. A wealthy man, Baptista Minola, refuses to allow his beautiful daughter, Bianca, to be wed until her older sister, Kate, is married first. The problem is that the older sister is violent and disagreeable. Men who want to marry the fair sister collude to attempt to see the terrible elder sister married off. Then in the usual Shakespearean comedy style, there are disguises and mistakes. Conveniently a greedy man shows up who is willing to take the miserable woman to gain money. One of the most disturbing things about watching this play as a modern audience is the treatment of women. Far worse then the fact Kate is handed over like a piece of property is the way that she is abused and degraded in the name of comedy. This version of The Taming of the Shrew is set in a circus, but it doesn’t add anything to the ease or understanding of the characters. The carnival atmosphere and clown paint only further add to the uncomfortable objective of breaking a person’s will.

The acting performances in this show are strong, but the actors are at a disadvantage to the gimmicks. Oftentimes, there were many actors onstage, some of whom were acting and some who were performing circus tricks. There were moments where plot and character development take place with juggling and splits happening just behind those who were speaking. It was very hard to find and maintain the focus. There were also several times when actors played objects and animals such as trees and birds. The problem with this was that with their “regular” costumes visible and their interaction with characters, it was hard to tell if they were the trees, or if they were people pretending to be trees. In another scene, a woman portrayed a cat that was merely a cat. It’s very confusing when there are already people in costumes acting strangely, then putting on more costumes and acting stranger.

Nathan Clark delivered a solid performance as Baptista Minola the patriarch of the two daughters. Aimee Snow and Ian Wade as the play’s main couple of Pretuchio and Katharina were very bold and energetic with their characterizations that heightened the difficult nature of their respective characters. However, the aggression of their physical interactions was very forced and uncomfortable. Fred Lash and Joshua Jarrett also made a strong impression as suitors hoping to woo the fair Bianca. Sallie Willows and Penny McKee proved that women could do a wonderful job at playing men in Shakespeare’s work, which was an interesting twist. The character of Biondello, played by Zach Fletcher was most distracting. Whenever he was onstage, there were so many distractions swirling about from his clowning that it was difficult to remember other dialogue was happening, let alone follow it. He also delivered his lines with a very shrill singsong quality, which made him hard to understand.

The technical elements of the show were lovely in some aspects and a problem in others. The set, which consisted of a circus tent and some posters, was lovely and a nice depiction of a circus. Although it was very difficult to tell when the scene moved because such an informing piece of the set remained in place even when the scene was supposed to be at various locations. The props were adequate except for a piece of corn that made a very loud clank whenever it was thrown. For the most part the circus costumes were cute as such, but they didn’t always help understand the character. Petruchio’s lion tamer costume did visually educate about his character. But Bianca’s costume was dreadful; it was unattractive and ill fitting. It was also difficult to tell what kind of act she did in the circus- belly dancer, maybe? As she was Baptista’s beloved daughter, it’s hard to imagine that she wouldn’t have a lovely, flattering garment. The music used in the show was taken from the film Ratatouille, sounded very French and didn’t reflect the mood of an Italian circus. Something that served a huge distraction was the fact that everyone wore clown makeup. It was difficult to understand what the reason for all the cast wearing it was. For example, the makeup worn by Katharina and Bianca was very unflattering at many angles and Bianca’s makeup, with all the dots, appeared to be fish scales. When the characters step onstage and begin to speak it’s very difficult to listen to and process dialogue, which is spoken in a different version of English than is spoken today. Then, when the audience must try to process why makeup looks like pox marks or fish scales and what that is supposed to inform them of, the act of discernment becomes tedious. And then, trying to understand why the ringmaster and even businessmen are in clown makeup is more difficult still. In trying to be influenced by clowns and perhaps even Commedia dell Arte the play only succeeds in giving the audience more stimuli not more answers.

While Castaway Repertory Theatre’s version of The Taming of the Shrew gives a good effort to creating a circus like atmosphere it is often confusing. Even though several in the cast give ardent and well-shaped renderings of characters, it only adds to the confusion of understanding this outdated work. Is life a circus? Is abuse funny? The Taming of the Shrew is an occasionally charming and often bewildering take on a classic Shakespearean comedy that begs the question “is this show still relevant as a comedy?”

Photo Gallery

Kate (Aimee Snow) & Petruchio (Ian Wade)	Zona (Debra Ovall)
Cherry (Xandra Weaver)	Bianca (Mari Davis), Lucentio (Chaz Pando), Cat (Samantha Reau)

Photos by Jim Jenkins

The Players

• Lucentio: Chaz Pando
• Tranio: Joshn Bartosch
• Biondello: Zach Fletcher
• Baptista Minola: Nathan Clark
• Katharina Minola: Aimee Snow
• Bianca Minola: Mari Davis
• Gremio: Fred Lash
• Hortensio: Joshua Jarrett
• Petruchio: Ian Wade
• Grumio: Darren Marquadt
• Pendant: Sallie Willows
• Vincentio: Penny McKee
• Widow: Remeja Thompson
• Cherry/ Wedding & Party Guest/ Curtis/ Tree: Xandra Weaver
• Pinoccchio/ Priest/ Gregory/Tree : Don Wilson
• Roxie/ Cat/ Wedding Guest/ Waiter/ Tailor/ Tree: Samantha Reau
• Boots/Wedding Guest/Sugarsop/Haberdasher/Tree: Andrew Buning
• Formio/ Wedding Guest/ Nathaniel/ Tree/ Officer: Gavin Tameris
• Gerbil/ Wedding Guest/ Adam/ Tree: Kirsten Burt
• Zona/Wedding Guest/ Ralph / Tree: Debra Ovall

Production Team

• Producer, Director: Katherine Bisulca
• Assistant Director: Leslie Anne Ross
• Stage Manager: Laura Clark
• Set Design/ Construction: Scott Keller
• Set Painting: Gavin Tameris, Katherine Bisulca, Laura Clark, Leslie Anne Ross
• Costume Design/Construction: Leslie Ann Ross, Sabrina Chandler, Claudia Tameris
• Hair/Makeup Design: Shelia Hyman, Shemika Barry
• Lighting Design: Jarret Baker
• Light Board Operator: Katre Ka M. Goins-Williams
• Sound Design: Mike Clark
• Music Deisgn: Katherine Bisulca
• Sound Board Operator: Stephen Bisulca
• Props: Anna Reed, Pat Jannell
• Prop Runner: Pat Jannell, Shelia Abbot, Elizabeth Huguley
• Fight Choreography: Kevin Robertson
• Clown Training: Pat Jannell
• Publicity: Don Wilson, Troy Caver
• Cover/Flyer Art: Josh McGuin
• Programs, Flyers, Postcards: Karla Carias
• Front of House: Kathryn Sahlberg, Zina Bleck, volunteers
• Set Posters: Fran Rauch

Disclaimer: Castaway Repertory Theatre provided two complimentary media tickets to ShowBizRadio for this review. ShowBizRadio editors Mike & Laura Clark were also involved with this production, as sound designer and stage manager respectively, which did not influence this review.

• Aldersgate Church Community Theatre
• The Alliance Theatre
• The Arlington Players
• Capital City Players of DC
• Bowie Community Theatre
• Castaways Repertory Theatre
• Taking Flight Theatre Company
• Chevy Chase Players
• Colonial Players of Annapolis
• Damascus Theatre Company
• Dominion Stage
• Elden Street Players
• Fauquier Community Theatre
• Greenbelt Arts Center
• Hard Bargain Players
• Kensington Arts Theatre
• Laurel Mill Playhouse
• Little Theatre of Alexandria
• McLean Community Players
• Montgomery Playhouse
• Port City Playhouse
• Port Tobacco Players
• Prince George’s Little Theatre
• Prince William Little Theatre
• Providence Players of Fairfax
• Reston Community Players
• Rockville Little Theatre
• Rockville Musical Theatre
• St. Mark’s Players
• Silver Spring Stage
• Tantallon Community Players
• Vienna Theatre Company

In each of the thirty-eight categories, five nominees were selected based on the average scores of eight judges. In some categories, due to score ties, more than five nominees are announced. Nominations are provided in alphabetical order by nominee. The nominations are provided by category and then by theater.

The Award Presentation willbe held on March 11th at the Birchmere in Alexandria, Virginia. Tickets can be purchased for $15.50 at the Birchmere Box Office or through Ticketmaster (additional fees will apply).

In 2012, 132 shows are scheduled for adjudication across the thirty-three participating WATCH member companies.

Nominations for outstanding technical achievements

Outstanding Set Design in a Musical

• Melissa Gilpin & John Merritt, A Funny Thing Happened on the Way to the Forum, Port Tobacco Players
• Mark Hamberger, Annie, Rockville Musical Theatre
• Grant Kevin Lane, Thrill Me, Elden Street Players
• Myke Taister, Hairspray, Little Theatre of Alexandria
• James Villarrubia, Ain’t Misbehavin’, Elden Street Players

Outstanding Set Design in a Play

• Amanda Acker, The Seagull, The Arlington Players
• John Coscia et al, Auntie Mame, Providence Players of Fairfax
• Chip Gertzog & John Coscia, Shadow Box, Providence Players of Fairfax
• C. Evans Kirk & Dan Remmers, Noises Off, Little Theatre of Alexandria
• Andrew JM Regiec, The Twilight of the Golds, Reston Community Players

Outstanding Set Construction in a Musical

• Sara Birkhead, The Drowsy Chaperone, Reston Community Players
• Chris Feldmann, Hairspray, Little Theatre of Alexandria
• Jim Korte et al, Little Shop of Horrors, Damascus Theatre Company
• John Merritt, A Funny Thing Happened on the Way to the Forum, Port Tobacco Players
• James Villarrubia et al, Ain’t Misbehavin’, Elden Street Players

Outstanding Set Construction in a Play

• John Coscia & Chip Gertzog, Shadow Box, Providence Players of Fairfax
• John Coscia et al, Auntie Mame, Providence Players of Fairfax
• Chris Feldmann, Move Over, Mrs. Markham, Little Theatre of Alexandria
• John Merritt, Duck Hunter Shoots Angel, Port Tobacco Players
• Arthur Pleasants et al, The Seagull, The Arlington Players
• Dan Remmers, Noises Off, Little Theatre of Alexandria

Outstanding Set Painting in a Musical

• Erin Cumbo, Oliver, Little Theatre of Alexandria
• Malca Giblin et al, Annie, Rockville Musical Theatre
• Kevin O’Dowd, Hairspray, Little Theatre of Alexandria
• Cathy Rieder & James Villarrubia, Ain’t Misbehavin’, Elden Street Players
• Cathy Rieder, Sabrina Begley, Maggie Cotter, The Drowsy Chaperone, Reston Community Players
• April Dawn Weimer et al, A Funny Thing Happened on the Way to the Forum, Port Tobacco Players

Outstanding Set Painting in a Play

• Mary Hutzler, Move Over, Mrs. Markham, Little Theatre of Alexandria
• Ronna Johnson, Duck Hunter Shoots Angel, Port Tobacco Players
• Karl Meier & Kate Meier, A Mid-Summer Night’s Dream, Elden Street Players
• Kevin O’Dowd, Noises Off, Little Theatre of Alexandria
• Melanie Papasian, Translations, Rockville Little Theatre
• Kate Roehr, The Seagull, The Arlington Players
• Christa Westall, The Twilight of the Golds, Reston Community Players

Outstanding Set Decoration and Set Dressing in a Musical

• Nancyanne Burton, Oliver, Little Theatre of Alexandria
• Marian Holmes & Russell Wyland, Hairspray, Little Theatre of Alexandria
• Dawne LeKang, Little Shop of Horrors, The Alliance Theatre
• Maria Littlefield, Little Shop of Horrors, Damascus Theatre Company
• Nancy McLaughlin et al, Annie, Rockville Musical Theatre
• Bea and Jerry Morse & Barbara Wilson, The Drowsy Chaperone, Reston Community Players
• Joe Stine & John Merritt, Willy Wonka, Port Tobacco Players
• April Dawn Weimer & John Merritt, A Funny Thing Happened on the Way to the Forum, Port Tobacco Players

Outstanding Set Decoration and Set Dressing in a Play

• Mary Dalto & Nancy Eynon Lark, Translations, Rockville Little Theatre
• Ingrid Helvig David, Auntie Mame, Providence Players of Fairfax
• Lindsey Hays, The Seagull, The Arlington Players
• Evan Hoffmann, A Mid-Summer Night’s Dream, Elden Street Players
• Bea and Jerry Morse, Moonlight and Magnolias, Reston Community Players

Outstanding Properties in a Musical

• Derek Critzer & Dawne LeKang, Little Shop of Horrors, The Alliance Theatre
• Mary Jo Ford, The Drowsy Chaperone, Reston Community Players
• Judy Kee & Margaret Snow, Hairspray, Little Theatre of Alexandria
• Maria Littlefield, Little Shop of Horrors, Damascus Theatre Company
• Elli Swink, 25th Annual Putnam County Spelling Bee, Damascus Theatre Company

Outstanding Properties in a Play

• Avery Burns, The Seagull, The Arlington Players
• Mary Dalto & Nancy Eynon Lark, Translations, Rockville Little Theatre
• Rebecca & John Johnson, Move Over, Mrs. Markham, Little Theatre of Alexandria
• Jessie Roberts, Loose Knit, Taking Flight Theatre Company
• Nicole Zuchetto, Rabbit Hole, Little Theatre of Alexandria

Outstanding Lighting Design in a Musical

• Franklin C. Coleman, Hairspray, Little Theatre of Alexandria
• Ryan Desmond, 42nd Street, The Arlington Players
• Tom Epps, Thrill Me, Elden Street Players
• Noam Lautman, Annie, Rockville Musical Theatre
• Rick Swink, Little Shop of Horrors, Damascus Theatre Company

Outstanding Lighting Design in a Play

• AnnMarie Castrigno, The Seagull, The Arlington Players
• Ken & Patti Crowley , Widdershins, Little Theatre of Alexandria
• Ken & Patti Crowley, The Twilight of the Golds, Reston Community Players
• Jennifer Lyman, Almost Maine, Vienna Theatre Company
• Liz Owens & Nancy Owens, Move Over, Mrs. Markham, Little Theatre of Alexandria

Outstanding Sound Design in a Musical

• Keith Bell, 42nd Street, The Arlington Players
• David Correia & David Hale, Hairspray, Little Theatre of Alexandria
• David Correia, Oliver, Little Theatre of Alexandria
• Bill Johnson, Hairspray, The Alliance Theatre
• Kenny Neal & Daniel Tobiassen, Annie, Rockville Musical Theatre
• Vitol Wiacek, 25th Annual Putnam County Spelling Bee, Damascus Theatre Company

Outstanding Sound Design in a Play

• Ben Allen, A Mid-Summer Night’s Dream, Elden Street Players
• Wes Bedsworth, The Diviners , Colonial Players of Annapolis
• William Chrapsynski, Moonlight and Magnolias, Reston Community Players
• Jonathan Powers, Almost Maine, Vienna Theatre Company
• Alan Wray, The Seagull, The Arlington Players

Outstanding Costume Design in a Musical

• Mary Ayala-Bush, Frankenstein, Taking Flight Theatre Company
• Michelle Bogert, Hairspray, The Alliance Theatre
• Kevin Lane, Nine , The Arlington Players
• Charlotte Marson & Judy Whelihan, The Drowsy Chaperone, Reston Community Players
• Jean Schlichting & Kit Sibley, Hairspray, Little Theatre of Alexandria

Outstanding Costume Design in a Play

• Lory Levitt & McKenna Kelly, The Seagull, The Arlington Players
• Susan Schulman et al, Romeo and Juliet, Silver Spring Stage
• Robbie Snow & Christian D. Faulkner, Auntie Mame, Providence Players of Fairfax
• Annie Vroom, Widdershins, Little Theatre of Alexandria
• Annie Vroom, Noises Off, Little Theatre of Alexandria

Outstanding Makeup Design in a Musical

• Kat Brais & Andy Izquierdo, Frankenstein, Taking Flight Theatre Company
• Jaimie Nelson, A Funny Thing Happened on the Way to the Forum, Port Tobacco Players
• Robin Parker, Hairspray, Little Theatre of Alexandria
• Jaclyn Young, The Drowsy Chaperone, Reston Community Players
• Sammi Zanelotti, Willy Wonka, Port Tobacco Players

Outstanding Makeup Design in a Play

• Scott Beadle, Sordid Lives, Bowie Community Theatre
• C. Evans Kirk, Widdershins, Little Theatre of Alexandria
• Howard Vincent Kurtz, Move Over, Mrs. Markham, Little Theatre of Alexandria
• PJ Mitchell, Psycho Beach Party, Dominion Stage
• Sue Pinkman, The Seagull, The Arlington Players

Outstanding Hair Design in a Musical

• Kat Brais, Nine, The Arlington Players
• Maureen Clum, Julie Perez, Derek Critzer, Hairspray, The Alliance Theatre
• Anna Michelle Jackson & Irene Kasotakis, Hairspray, Little Theatre of Alexandria
• Melodie Wilson, Frankenstein, Taking Flight Theatre Company
• Jaclyn Young , The Drowsy Chaperone , Reston Community Players

Outstanding Hair Design in a Play

• Beth Harrison, Auntie Mame, Providence Players of Fairfax
• Howard Vincent Kurtz, Move Over, Mrs. Markham, Little Theatre of Alexandria
• Molly Hicks Larson, A Streetcar Named Desire, Taking Flight Theatre Company
• Denise A. Levine, Same Time Next Year, Greenbelt Arts Center
• PJ Mitchell, Psycho Beach Party, Dominion Stage
• Sue Pinkman, The Seagull, The Arlington Players
• Scott Ross & Kaeti Bradley, Sordid Lives, Bowie Community Theatre
• Mary-Anne Sullivan, The Women, Prince William Little Theatre

Outstanding Special Effects

• Ben Allen, Almost Maine, Vienna Theatre Company
• Ken & Patti Crowley, Widdershins, Little Theatre of Alexandria
• Denise Gilmore et al, Annie, Rockville Musical Theatre
• Keith Linville et al, Willy Wonka, Port Tobacco Players
• Dav Timmermann, A Christmas Carol, Port Tobacco Players

Nominations for outstanding performances by an actor or actress

Outstanding cameo in a musical

• Taurean Maray Barber as “Fred Casely”, Chicago, St. Mark’s Players
• Micky Goldstein as “Burt Healey”, Annie, Rockville Musical Theatre
• Andy Izquierdo as “Blind Man”, Frankenstein, Taking Flight Theatre Company
• Scott J. Strasbaugh as “Mr. Pinky”, Hairspray, Little Theatre of Alexandria
• Gina C. Tomkus as “Matron/Gym Teacher”, Hairspray, Little Theatre of Alexandria
• Mark Williams as “High School Principal”, Hairspray, Little Theatre of Alexandria

Outstanding cameo in a play

• Carolyn Cameron as “Maggie”, The Women, Prince William Little Theatre
• Victor Maldonado as “Lou Tanner”, The Gingerbread Lady, Chevy Chase Players
• Lisa Nichols as “Olga”, The Women, Prince William Little Theatre
• Laura Rogers as “Girl”, Blackbird, Silver Spring Stage
• Sally Zatkoff as “Candy Starr”, One Flew Over the Cuckoo’s Nest, Prince William Little Theatre
• Robin Zerbe as “Crystal Allen”, The Women, Prince William Little Theatre

Outstanding featured actress in a musical

• Michelle Harmon as “Armeila McQueen”, Ain’t Misbehavin’, Elden Street Players
• Rikki Howie as “Charlayne Woodard”, Ain’t Misbehavin’, Elden Street Players
• Jade Jones as “Nell Carter”, Ain’t Misbehavin’, Elden Street Players
• Brenda Parker as “Motormouth Maybelle”, Hairspray, Little Theatre of Alexandria
• Miriam Urquart as “Star to Be”, Annie, Rockville Musical Theatre
• Jaclyn Young as “Penny Pingleton”, Hairspray, Little Theatre of Alexandria

Outstanding featured actor in a musical

• Alex Bedont as “Audrey II voice”, Little Shop of Horrors, The Alliance Theatre
• Chaz Coffin as “Seaweed Stubbs”, Hairspray, The Alliance Theatre
• Adrian Cubbage as “Seaweed J. Stubbs”, Hairspray, Little Theatre of Alexandria
• Patrick Doneghy as “Andre DeShields”, Ain’t Misbehavin’, Elden Street Players
• Gabriel Potter as “Leaf Coneybear”, 25th Annual Putnam County Spelling Bee, Damascus Theatre Company
• Christopher Prince as “Ken Page”, Ain’t Misbehavin’, Elden Street Players

Outstanding featured actress in a play

• Bernadette Arvidson as “Juanita”, Sordid Lives, Bowie Community Theatre
• Joanne Bauer as “Sissy Hickey”, Sordid Lives, Bowie Community Theatre
• Karen Elle as “Saint Monica et al”, The Last Days of Judas Iscariot, Silver Spring Stage
• Ruth Neaveill as “Vera Charles”, Auntie Mame, Providence Players of Fairfax
• Jaclyn Young as “Hermia/Snout/Wall”, A Mid-Summer Night’s Dream, Elden Street Players

Outstanding featured actor in a play

• Scott Beadle as “Earl “Brother Boy” Ingram”, Sordid Lives, Bowie Community Theatre
• Adam Downs as “Garry Lejeune”, Noises Off, Little Theatre of Alexandria
• Tom Flatt as “Mason Marzak”, Take Me Out, Dominion Stage
• Brendan Murray as “Butch Honeywell et al”, The Last Days of Judas Iscariot, Silver Spring Stage
• Pat Reynolds as “Paul Gauguin”, Inventing Van Gogh, Colonial Players of Annapolis

Outstanding lead actress in a musical

• Maya Brettell as “Annie”, Annie, Rockville Musical Theatre
• Laura Fontaine as “Audrey”, Little Shop of Horrors, The Alliance Theatre
• Shannon Kingett as “Tracy Turnblad”, Hairspray, Little Theatre of Alexandria
• Kate Merryman as “The Narrator”, Joseph & the Amazing Technicolor Dreamcoat, McLean Community Players
• Chrissy Barnett Miller as “Audrey”, Little Shop of Horrors, Damascus Theatre Company
• Anya Randall Nebel as “Velma Kelly”, Chicago, St. Mark’s Players

Outstanding lead actor in a musical

• Christopher Harris as “Edna Turnblad”, Hairspray, Little Theatre of Alexandria
• Anthony Ingargiola as “Seymour”, Little Shop of Horrors, The Alliance Theatre
• Eric Kennedy as “Guido Contini”, Nine, The Arlington Players
• Gabriel Potter as “Seymour”, Little Shop of Horrors, Damascus Theatre Company
• Christopher Smith as “Nathan”, Thrill Me, Elden Street Players

Outstanding lead actress in a play

• Sherry Berg as “Una”, Blackbird, Capital City Players of DC
• Lolita-Marie as “Mattie Cheeks”, No Niggers, No Jews, No Dogs, Port City Playhouse
• Jo Black Sullivan as “Glorie”, Grace and Glorie, Bowie Community Theatre
• Sandra Cox True as “Grace”, Grace and Glorie, Bowie Community Theatre
• Beth Whitehead as “Auntie Mame Dennis”, Auntie Mame, Providence Players of Fairfax
• Robin Zerbe as “Irma Grese”, Angel: A Nightmare in Two Acts, Port City Playhouse

Outstanding lead actor in a play

• Mark Lee Adams as “Dr. Farquhar”, Mindgame, Port City Playhouse
• J. McAndrew Breen as “Charlie Conlon etc.”, Stones in His Pockets, Montgomery Playhouse
• William Cassidy as “Randle P. McMurphy”, One Flew Over the Cuckoo’s Nest, Silver Spring Stage
• Adam Downs as “Ralph”, Frozen, Elden Street Players
• Kevin S. Dykstra as “Jake Quinn etc.”, Stones in His Pockets, Montgomery Playhouse

Nominations for outstanding achievement in overall production

Outstanding Stage Combat Choreography

• Steve Custer, Hair, Kensington Arts Theatre
• William T. Fleming, Romeo and Juliet, Silver Spring Stage
• Katherine Frattini, A Mid-Summer Night’s Dream, Elden Street Players
• Richard Koster, Company, Colonial Players of Annapolis
• Karen Schlumpf & Brian Farrell, Moonlight and Magnolias, Reston Community Players

Outstanding Choreography

• Iván Dávila, Hairspray, Little Theatre of Alexandria
• Andrea Heininge, The Drowsy Chaperone, Reston Community Players
• Rikki Howie, Chicago, St. Mark’s Players
• Pam & Kathleen McCormack, Joseph & the Amazing Technicolor Dreamcoat, McLean Community Players
• Duane Monahan, Annie, Rockville Musical Theatre
• John K. Monnett, 42nd Street, The Arlington Players

Outstanding Music Direction

• Mayumi Baker & Valerie A. Higgs, Jekyll & Hyde, Kensington Arts Theatre
• J. Michael d’Haviland, Ain’t Misbehavin’, Elden Street Players
• Paul Nasto, Nine, The Arlington Players
• Keith Tittermary, 25th Annual Putnam County Spelling Bee, Damascus Theatre Company
• Christopher A. Tomasino, Hairspray, Little Theatre of Alexandria

Outstanding Direction of a Musical

• Stephanie Bonte-Lebair, 25th Annual Putnam County Spelling Bee, Damascus Theatre Company
• Annie Ermlick, Hairspray, The Alliance Theatre
• Richelle “Rikki” Howie, Ain’t Misbehavin’, Elden Street Players
• Sue Pinkman, Hairspray, Little Theatre of Alexandria
• Joshua Redford, The Drowsy Chaperone, Reston Community Players

Outstanding Direction of a Play

• Bob Benn, One Flew Over the Cuckoo’s Nest, Silver Spring Stage
• Joanna Henry, Rabbit Hole, Little Theatre of Alexandria
• Evan Hoffmann, A Mid-Summer Night’s Dream, Elden Street Players
• Estelle Miller, Grace and Glorie, Bowie Community Theatre
• Roxanne Fournier Stone, Stones in His Pockets, Montgomery Playhouse

Outstanding Musical

• Hairspray , The Alliance Theatre
• 25th Annual Putnam County Spelling Bee, Damascus Theatre Company
• Ain’t Misbehavin’, Elden Street Players
• Hairspray, Little Theatre of Alexandria
• Annie , Rockville Musical Theatre

Outstanding Play

• Grace and Glorie, Bowie Community Players
• The Shape of Things, Colonial Players of Annapolis
• A Mid-Summer Night’s Dream, Elden Street Players
• Noises Off, Little Theatre of Alexandria
• Stones in His Pockets, Montgomery Playhouse
• Auntie Mame, Providence Players of Fairfax
• Shadow Box, Providence Players of Fairfax

Nominations sorted by theatre and show

Alliance Theatre

2 productions received a total of 11 nominations

• Hairspray
  6 nominations
  • Outstanding Costume Design in a Musical, Michelle Bogert
  • Outstanding Direction of a Musical, Annie Ermlick
  • Outstanding Featured Actor in a Musical, Chaz Coffin as “Seaweed Stubbs”
  • Outstanding Hair Design in a Musical, Maureen Clum, Julie Perez, Derek Critzer
  • Outstanding Musical
  • Outstanding Sound Design in a Musical, Bill Johnson
• Little Shop of Horrors
  5 nominations
  • Outstanding Featured Actor in a Musical, Alex Bedont as “Audrey II voice”
  • Outstanding Lead Actor in a Musical, Anthony Ingargiola as “Seymour”
  • Outstanding Lead Actress in a Musical, Laura Fontaine as “Audrey”
  • Outstanding Properties in a Musical, Derek Critzer & Dawne LeKang
  • Outstanding Set Decoration in a Musical, Dawne LeKang

Arlington Players

3 productions received a total of 17 nominations

• 42nd Street
  3 nominations
  • Outstanding Choreography, John K. Monnett
  • Outstanding Light Design in a Musical, Ryan Desmond
  • Outstanding Sound Design in a Musical, Keith Bell
• Nine
  4 nominations
  • Outstanding Costume Design in a Musical, Kevin Lane
  • Outstanding Hair Design in a Musical, Kat Brais
  • Outstanding Lead Actor in a Musical, Eric Kennedy as “Guido Contini”
  • Outstanding Music Direction, Paul Nasto
• The Seagull
  10 nominations
  • Outstanding Costume Design in a Play, Lory Levitt & McKenna Kelly
  • Outstanding Hair Design in a Play, Sue Pinkman
  • Outstanding Light Design in a Play, AnnMarie Castrigno
  • Outstanding Makeup Design in a Play, Sue Pinkman
  • Outstanding Properties in a Play, Avery Burns
  • Outstanding Set Construction in a Play, Arthur Pleasants et al
  • Outstanding Set Decoration in a Play, Lindsey Hays
  • Outstanding Set Design in a Play, Amanda Acker
  • Outstanding Set Painting in a Play, Kate Roehr
  • Outstanding Sound Design in a Play, Alan Wray

Bowie Community Theatre

2 productions received a total of 9 nominations

• Grace and Glorie
  4 nominations
  • Outstanding Direction of a Play, Estelle Miller
  • Outstanding Lead Actress in a Play, Jo Black Sullivan as “Glorie”
  • Outstanding Lead Actress in a Play, Sandra Cox True as “Grace”
  • Outstanding Play
• Sordid Lives
  5 nominations
  • Outstanding Featured Actor in a Play, Scott Beadle as “Earl “Brother Boy” Ingram”
  • Outstanding Featured Actress in a Play, Bernadette Arvidson as “Juanita”
  • Outstanding Featured Actress in a Play, Joanne Bauer as “Sissy Hickey”
  • Outstanding Hair Design in a Play, Scott Ross & Kaeti Bradley
  • Outstanding Makeup Design in a Play, Scott Beadle

Capital City Players Of Dc

1 production received 1 nomination

• Blackbird
  • Outstanding Lead Actress in a Play, Sherry Berg as “Una”

Chevy Chase Players

1 production received 1 nomination

• The Gingerbread Lady
  • Outstanding Cameo in a Play, Victor Maldonado as “Lou Tanner”

Colonial Players

4 productions received a total of 4 nominations

• Company
  1 nomination
  • Outstanding Stage Combat Choreography, Richard Koster
• Inventing Van Gogh
  1 nomination
  • Outstanding Featured Actor in a Play, Pat Reynolds as “Paul Gauguin”
• The Diviners
  1 nomination
  • Outstanding Sound Design in a Play, Wes Bedsworth
• The Shape of Things
  1 nomination
  • Outstanding Play

Damascus Theatre Company

2 productions received a total of 12 nominations

• 25th Annual Putnam County Spelling Bee
  6 nominations
  • Outstanding Direction of a Musical, Stephanie Bonte-Lebair
  • Outstanding Featured Actor in a Musical, Gabriel Potter as “Leaf Coneybear”
  • Outstanding Music Direction, Keith Tittermary
  • Outstanding Musical
  • Outstanding Properties in a Musical, Elli Swink
  • Outstanding Sound Design in a Musical, Vitol Wiacek
• Little Shop of Horrors
  6 nominations
  • Outstanding Lead Actor in a Musical, Gabriel Potter as “Seymour”
  • Outstanding Lead Actress in a Musical, Chrissy Barnett Miller as “Audrey”
  • Outstanding Light Design in a Musical, Rick Swink
  • Outstanding Properties in a Musical, Maria Littlefield
  • Outstanding Set Construction in a Musical, Jim Korte et al
  • Outstanding Set Decoration in a Musical, Maria Littlefield

Dominion Stage

2 productions received a total of 3 nominations

• Psycho Beach Party
  2 nominations
  • Outstanding Hair Design in a Play, PJ Mitchell
  • Outstanding Makeup Design in a Play, PJ Mitchell
• Take Me Out
  1 nomination
  • Outstanding Featured Actor in a Play, Tom Flatt as “Mason Marzak”

Elden Street Players

4 productions received a total of 22 nominations

• A Mid-Summer Night’s Dream
  7 nominations
  • Outstanding Direction of a Play, Evan Hoffmann
  • Outstanding Featured Actress in a Play, Jaclyn Young as “Hermia/Snout/Wall”
  • Outstanding Play
  • Outstanding Set Decoration in a Play, Evan Hoffmann
  • Outstanding Set Painting in a Play, Kate Meier & Karl Meier
  • Outstanding Sound Design in a Play, Ben Allen
  • Outstanding Stage Combat Choreography, Katherine Frattini
• Ain’t Misbehavin’
  11 nominations
  • Outstanding Direction of a Musical, Richelle “Rikki” Howie
  • Outstanding Featured Actor in a Musical, Patrick Doneghy as “Andre DeShields”
  • Outstanding Featured Actor in a Musical, Christopher Prince as “Ken Page”
  • Outstanding Featured Actress in a Musical, Michelle Harmon as “Armeila McQueen”
  • Outstanding Featured Actress in a Musical, Rikki Howie as “Charlayne Woodard”
  • Outstanding Featured Actress in a Musical, Jade Jones as “Nell Carter”
  • Outstanding Music Direction, J. Michael d’Haviland
  • Outstanding Musical
  • Outstanding Set Construction in a Musical, James Villarrubia et al
  • Outstanding Set Design in a Musical, James Villarrubia
  • Outstanding Set Painting in a Musical, Cathy Rieder & James Villarrubia
• Frozen
  1 nomination
  • Outstanding Lead Actor in a Play, Adam Downs as “Ralph”
• Thrill Me
  3 nominations
  • Outstanding Lead Actor in a Musical, Christopher Smith as “Nathan”
  • Outstanding Light Design in a Musical, Tom Epps
  • Outstanding Set Design in a Musical, Grant Kevin Lane

Greenbelt Arts Center

1 production received 1 nomination

• Same Time Next Year
  • Outstanding Hair Design in a Play, Denise A. Levine

Kensington Arts Theatre

2 productions received a total of 2 nominations

• Hair
  1 nomination
  • Outstanding Stage Combat Choreography, Steve Custer
• Jekyll & Hyde
  1 nomination
  • Outstanding Music Direction, Mayumi Baker & Valerie A. Higgs

Little Theatre of Alexandria

6 productions received a total of 43 nominations

• Hairspray
  22 nominations
  • Outstanding Cameo in a Musical, Scott J. Strasbaugh as “Mr. Pinky”
  • Outstanding Cameo in a Musical, Gina C. Tomkus as “Matron/Gym Teacher”
  • Outstanding Cameo in a Musical, Mark Williams as “High School Principal”
  • Outstanding Choreography, Ivan Davila
  • Outstanding Costume Design in a Musical, Jean Schlichting & Kit Sibley
  • Outstanding Direction of a Musical, Sue Pinkman
  • Outstanding Featured Actor in a Musical, Adrian Cubbage as “Seaweed J. Stubbs”
  • Outstanding Featured Actress in a Musical, Brenda Parker as “Motormouth Maybelle”
  • Outstanding Featured Actress in a Musical, Jaclyn Young as “Penny Pingleton”
  • Outstanding Hair Design in a Musical, Anna Michelle Jackson & Irene Kasotakis
  • Outstanding Lead Actor in a Musical, Christopher Harris as “Edna Turnblad”
  • Outstanding Lead Actress in a Musical, Shannon Kingett as “Tracy Turnblad”
  • Outstanding Light Design in a Musical, Franklin C. Coleman
  • Outstanding Makeup Design in a Musical, Robin Parker
  • Outstanding Music Direction, Christopher A. Tomasino
  • Outstanding Musical
  • Outstanding Properties in a Musical, Judy Kee & Margaret Snow
  • Outstanding Set Construction in a Musical, Chris Feldmann
  • Outstanding Set Decoration in a Musical, Marian Holmes & Russell Wyland
  • Outstanding Set Design in a Musical, Myke Taister
  • Outstanding Set Painting in a Musical, Kevin O’Dowd
  • Outstanding Sound Design in a Musical, David Correia & David Hale
• Move Over, Mrs. Markham
  6 nominations
  • Outstanding Hair Design in a Play, Howard Vincent Kurtz
  • Outstanding Light Design in a Play, Liz Owens & Nancy Owens
  • Outstanding Makeup Design in a Play, Howard Vincent Kurtz
  • Outstanding Properties in a Play, Rebecca & John Johnson
  • Outstanding Set Construction in a Play, Chris Feldmann
  • Outstanding Set Painting in a Play, Mary Hutzler
• Noises Off
  6 nominations
  • Outstanding Costume Design in a Play, Annie Vroom
  • Outstanding Featured Actor in a Play, Adam Downs as “Garry Lejeune”
  • Outstanding Play
  • Outstanding Set Construction in a Play, Dan Remmers
  • Outstanding Set Design in a Play, C. Evans Kirk & Dan Remmers
  • Outstanding Set Painting in a Play, Kevin O’Dowd
• Oliver!
  3 nominations
  • Outstanding Set Decoration in a Musical, Nancyanne Burton et al
  • Outstanding Set Painting in a Musical, Erin Cumbo
  • Outstanding Sound Design in a Musical, David Correia
• Rabbit Hole
  2 nominations
  • Outstanding Direction of a Play, Joanna Henry
  • Outstanding Properties in a Play, Nicole Zuchetto
• Widdershins
  4 nominations
  • Outstanding Costume Design in a Play, Annie Vroom
  • Outstanding Light Design in a Play, Ken & Patti Crowley
  • Outstanding Makeup Design in a Play, C. Evans Kirk
  • Outstanding Special Effects, Ken & Patti Crowley

McLean Community Players

1 production received 2 nominations

• Joseph & The Amazing Technicolor Dreamcoat
  • Outstanding Choreography, Pam & Kathleen McCormack
  • Outstanding Lead Actress in a Musical, Kate Merryman as “The Narrator”

Montgomery Playhouse

1 production received 4 nominations

• Stones in His Pockets
  • Outstanding Direction of a Play, Roxanne Fournier Stone
  • Outstanding Lead Actor in a Play, J. McAndrew Breen as “Charlie Conlon etc.”
  • Outstanding Lead Actor in a Play, Kevin S. Dykstra as “Jake Quinn etc.”
  • Outstanding Play

Port City Playhouse

3 productions received a total of 3 nominations

• Angel: A Nightmare in Two Acts
  1 nomination
  • Outstanding Lead Actress in a Play, Robin Zerbe as “Irma Grese”
• Mindgame
  1 nomination
  • Outstanding Lead Actor in a Play, Mark Lee Adams as “Dr. Farquhar”
• No Niggers, No Jews, No Dogs
  1 nomination
  • Outstanding Lead Actress in a Play, Lolita-Marie as “Mattie Cheeks”

Port Tobacco Players

4 productions received a total of 11 nominations

• A Christmas Carol
  1 nomination
  • Outstanding Special Effects, Dav Timmermann
• A Funny Thing Happened on the Way to the Forum
  5 nominations
  • Outstanding Makeup Design in a Musical, Jaimie Nelson
  • Outstanding Set Construction in a Musical, John Merritt
  • Outstanding Set Decoration in a Musical, April Dawn Weimer & John Merritt
  • Outstanding Set Design in a Musical, Melissa Gilpin & John Merritt
  • Outstanding Set Painting in a Musical, April Dawn Weimer et al
• Duck Hunter Shoots Angel
  2 nominations
  • Outstanding Set Construction in a Play, John Merritt
  • Outstanding Set Painting in a Play, Ronna Johnson
• Willy Wonka
  3 nominations
  • Outstanding Makeup Design in a Musical, Sammi Zanelotti
  • Outstanding Set Decoration in a Musical, Joe Stine & John Merritt
  • Outstanding Special Effects, Keith Linville et al

Prince William Little Theatre

2 productions received a total of 5 nominations

• One Flew Over the Cuckoo’s Nest
  1 nomination
  • Outstanding Cameo in a Play, Sally Zatkoff as “Candy Starr”
• The Women
  4 nominations
  • Outstanding Cameo in a Play, Carolyn Cameron as “Maggie”
  • Outstanding Cameo in a Play, Lisa Nichols as “Olga”
  • Outstanding Cameo in a Play, Robin Zerbe as “Crystal Allen”
  • Outstanding Hair Design in a Play, Mary-Anne Sullivan

Providence Players

2 productions received a total of 11 nominations

• Auntie Mame
  8 nominations
  • Outstanding Costume Design in a Play, Robbie Snow & Christian D. Faulkner
  • Outstanding Featured Actress in a Play, Ruth Neaveill as “Vera Charles”
  • Outstanding Hair Design in a Play, Beth Harrison
  • Outstanding Lead Actress in a Play, Beth Whitehead as “Auntie Mame Dennis”
  • Outstanding Play
  • Outstanding Set Construction in a Play, John Coscia et al
  • Outstanding Set Decoration in a Play, Ingrid Helvig David
  • Outstanding Set Design in a Play, John Coscia et al
• Shadow Box
  3 nominations
  • Outstanding Play
  • Outstanding Set Construction in a Play, John Coscia & Chip Gertzog
  • Outstanding Set Design in a Play, Chip Gertzog & John Coscia

Reston Community Players

3 productions received a total of 15 nominations

• Moonlight and Magnolias
  3 nominations
  • Outstanding Set Decoration in a Play, Bea and Jerry Morse
  • Outstanding Sound Design in a Play, William Chrapsynski
  • Outstanding Stage Combat Choreography, Karen Schlumpf & Brian Farrell
• The Drowsy Chaperone
  9 nominations
  • Outstanding Choreography, Andrea Heininge
  • Outstanding Costume Design in a Musical, Charlotte Marson & Judy Whelihan
  • Outstanding Direction of a Musical, Joshua Redford
  • Outstanding Hair Design in a Musical, Jaclyn Young
  • Outstanding Makeup Design in a Musical, Jaclyn Young
  • Outstanding Properties in a Musical, Mary Jo Ford
  • Outstanding Set Construction in a Musical, Sara Birkhead
  • Outstanding Set Decoration in a Musical, Bea and Jerry Morse & Barbara Wilson
  • Outstanding Set Painting in a Musical, Cathy Reider, Sabrina Begley, Maggie Cotter
• The Twilight of the Golds
  3 nominations
  • Outstanding Light Design in a Play, Ken & Patti Crowley
  • Outstanding Set Design in a Play, Andrew JM Regiec
  • Outstanding Set Painting in a Play, Christa Westall

Rockville Little Theatre

1 production received 3 nominations

• Translations
  • Outstanding Properties in a Play, Mary Dalto & Nancy Eynon Lark
  • Outstanding Set Decoration in a Play, Mary Dalto & Nancy Eynon Lark
  • Outstanding Set Painting in a Play, Melanie Papasian

Rockville Musical Theatre

1 production received 11 nominations

• Annie
  • Outstanding Cameo in a Musical, Micky Goldstein as “Bert Healey”
  • Outstanding Choreography, Duane Monahan
  • Outstanding Featured Actress in a Musical, Miriam Urquart as “Star to Be”
  • Outstanding Lead Actress in a Musical, Maya Brettell as “Annie”
  • Outstanding Light Design in a Musical, Noam Lautman
  • Outstanding Musical
  • Outstanding Set Decoration in a Musical, Nancy McLaughlin et al
  • Outstanding Set Design in a Musical, Mark Hamberger
  • Outstanding Set Painting in a Musical, Malca Giblin et al
  • Outstanding Sound Design in a Musical, Kenny Neal & Daniel Tobiassen
  • Outstanding Special Effects, Denise Gilmore et al

Silver Spring Stage

4 productions received a total of 7 nominations

• Blackbird
  1 nomination
  • Outstanding Cameo in a Play, Laura Rogers as “Girl”
• One Flew Over the Cuckoo’s Nest
  2 nominations
  • Outstanding Direction of a Play, Bob Benn
  • Outstanding Lead Actor in a Play, William Cassidy as “Randle P. McMurphy”
• Romeo and Juliet
  2 nominations
  • Outstanding Costume Design in a Play, Susan Schulman et al
  • Outstanding Stage Combat Choreography, William T. Fleming
• The Last Days of Judas Iscariot
  2 nominations
  • Outstanding Featured Actor in a Play, Brendan Murray as “Butch Honeywell et al”
  • Outstanding Featured Actress in a Play, Karen Elle as “Saint Monica et al”

St. Mark’s Players

1 production received 3 nominations

• Chicago
  • Outstanding Cameo in a Musical, Taurean Maray Barber as “Fred Casely”
  • Outstanding Choreography, Rikki Howie
  • Outstanding Lead Actress in a Musical, Anya Randall Nebel as “Velma Kelly”

Taking Flight Theatre Company

3 productions received a total of 6 nominations

• A Streetcar Named Desire
  1 nomination
  • Outstanding Hair Design in a Play, Molly Hicks Larson
• Frankenstein
  4 nominations
  • Outstanding Cameo in a Musical, Andy Izquierdo as “Blind Man”
  • Outstanding Costume Design in a Musical, Mary Ayala-Bush
  • Outstanding Hair Design in a Musical, Melodie Wilson
  • Outstanding Makeup Design in a Musical, Kat Brais & Andy Izquierdo
• Loose Knit
  1 nomination
  • Outstanding Properties in a Play, Jessie Roberts

Vienna Theatre Company

1 production received 3 nominations

• Almost Maine
  • Outstanding Light Design in a Play, Jennifer Lyman
  • Outstanding Sound Design in a Play, Jonathan Powers
  • Outstanding Special Effects, Ben Allen

Castaways Repertory Theatre opens its season with the 1937 John Murray & Allen Boretz comedy Room Service, which was later made into a Marx Brothers film. A play producer has moved his cast and crew into a Broadway hotel during rehearsals of tehir new play. Unfortunately, he doesn’t have funding for the play yet, so he is always worrying about money and trying to scam the hotel. One of his actresses finds a backer, which allows him to continue to rehearse the play. Everything is taken care of, at least until everything catches up with his schemes on opening night.

This lighthearted comedy never quite got its bearings as a rollicking fast-paced comedy until its third act. While there were a few funny scenes building to the climax, director Stephen Keane needed a bit more time with his cast to correct some problems with the show’s staging. For example, actors often upstaged each other, making it difficult to hear them as their lines were said to the upstage walls; during a couple of scenes (such as the doctor’s examination of Leo Davis) too much was happening on stage so the audience didn’t know what to watch; and actors using the telephone need to wait for the caller to speak instead of just speeding through their lines. There was a wonderfully performed scene in the third act where all the actors successfully burst into an uproar, yet didn’t pull focus from what the audience needed to see at that point.

Gordon Miller, the play’s producer and determined schemer, was portrayed by James McDaniel. McDaniel was focused but not too warm towards his co-conspirators, and appeared to struggle a bit with his lines at the start of the show. His best scenes were with hotel troubleshooter Mr. Wagner, played wonderfully by Troy Golson. Golson made Wagner to be a gullible tough guy, balancing his desires for a job promotion and doing the right thing. Hotel manager Joe Gribble was played by Sharif Foulks as a nice guy in over his head with the acting troupe. Foulks was occasionally hard to understand as he rushed through his lines. Playwright Leo Davis was played sincerely by Justin Janke, who nailed the naiveté of the Oswego native visiting the big city for the first time. And Brian Miller as director Harry Binion was effective portraying Binion as just one of the guys, familiar with Miller’s schemes yet not above contributing his own ideas to make the play a success.

Sabrina Chandler and Claudia Tameris’s costumes looked amazing, from Sasha Smirnoff’s maid outfit to the hoop skirt worn by actress Christine Marlowe (Chardonee Harris). For the technical aspects of Room Service, Castaways again made do with what they could within the limits placed on them by the facility. Gavin Tameris’ set of a hotel room was functional (despite one bed that looked ready to collapse at any moment), and it could have used a bit more color or elegance. K. Goins-Williams and Stacy King’s lights were utilitarian, again something the facility puts extreme limits on customizing.

In sum, Room Service was engaging and funny at points; its uneven presentation could have used a bit more polish on the rough edges.

Cast

• Sasha Smirnoff: Katy Chmura
• Mr. Wagner: Troy Golson
• Harry Binion: Brian Miller
• Ms. Hogarth: Lynn Lacey
• Leo Davis: Justin Lanke
• Miss Jenkins: Sallie Willows
• Hilda Manney: Melissa Purvis
• Christine Marlowe: Chardonee Harris
• Mr. Gribble: Sharif Folks
• Senator Blake: Libby Huguley
• Dr. Glass: Gavin Tameris
• Bank Messenger: Lynn Toole
• Faker Englund: Jordan Mathalon
• Gordon Miller: James McDaniel

Crew

• Director: Stephen Keane
• Front of House: Karla Carias & Kathryn Sahlberg
• Stage Manager: Samantha Reau
• Sound: Becky Farris & Richard Prien
• Set: Gavin Tameris
• Lights: K Goins-Williams & Stacey King
• Producer: Zina Blek
• Costumes: Sabrina Chandler & Claudia Tameris
• Stage Crew: Richard Prien
• Props: Karla Carias, Katy Chmura, Pat Jannell, Sallie Willows
• Photographer: Jim Jenkins
• Set Design: Gavin Tameris
• Set Construction: Nyeem Braxton, Andrew Buning, Andy Kauffman, Richard Prien, Gavin Tameris

Disclaimer: Castaways Repertory Theatre provided two complimentary media tickets to ShowBizRadio for this review. Also, note that Laura will be stage managing Castaways’ Winter show, “The Taming of the Shrew.”

• Room Service, Fall 2011 [[sbra>1122|Auditions]]
• The Taming of the Shrew, Winter 2012
• Fiddler on the Roof, Spring 2012

Schedule is subject to change due to performance rights conflicts or other issues. Specific dates of performances and auditions are yet to be announced.

Godspell is a musical originally directed by John-Michael Tebelak with music and lyrics by Stephen Schwartz. It highlights the ministry of Jesus Christ from his parables to his crucifixion as seen through the Gospel of Matthew.

While somewhat simple in staging, this story of ragtags coming to follow Jesus was enjoyable. Brian Johnson as Jesus took command of the stage, making his character likable and drawing the crowds to him. He had a fairly strong voice that seemed only to waiver on the top notes. His emotions on the crucifixion came across as believable.

Another favorable performer was Eric Worcester in the dual role of John the Baptist and later Judas Iscariot. Worcester was able to make both characters different, both in personality and costume. He was able to be a presence on stage even when he was not specifically involved with a scene. Always lurking about in the shadows, his betrayal of Jesus came across as sincere.

The rest of the ensemble fit together well, reacting and playing their parts with enthusiasm. The costumes, designed and constructed by Shirley Attanaro, Sabrina Chandler, Claudia Tameris, as well as the cast, were bright and colorful giving the show the right kind of free spirit, 70’s look and feel, without resorting to tie-dyed shirts. Several of the solos were also well done. “By My Side” performed by Rachel Harrington was strong and well done. Richard Yingling’s song “All Good Gifts” carried beautifully and was accentuated by the emotion he carried. Eleven-year-old Burke Romans-Murray gave a beautiful rendition of “We Beseech Thee.” The use of a single pianist (Jonathan Blank) allowed the singers to be heard both during the singing and speaking portions of the performance and also fit well into the straightforward music. Brian Miller occasionally supplemented the music with an electric guitar.

Some of Nancy Owens’ lighting designs were hindered by the limits of the theatre. At one point Yingling went down to the front of the stage onto the floor and because there was no lighting he was basically in black. This took away some of the emotion from the action going on up on stage. The light effects during “All For the Best” were very colorful and perfectly accented the joyous mood of the song.

There were a few points when the cast was swaying side to side, but they weren’t in sync with each other, resulting in a disorganized look. But it could almost be argued that was intentional, as the group of followers was still learning how to be a cohesive unit following Jesus.

Hard work and dedication went into making Godspell an enjoyable production.

Photo Gallery

Eric Worcester (Judas), Brian Johnson (Jesus)	Brian Johnson (Jesus); Eric Worcester (Judas)
Rachel Harrington (Peggy); Meganne Johnson (Gilmer), Brian Johnson (Jesus), Amy Treat (Sonia), Sabrina Chandler (Sabrina)	Brian Johnson (Jesus); Jasmine Bull (Jasmine); Lynn Lacey (Lynn), Richard Yingling (Lamar), Eric Worcester (Judas)

Photos by Jim Jenkins

Cast

• Jesus: Bian Johnson
• Sonia: Amy Tret
• Gilmer: Meganne McCawley Johnson
• Peggy: Rachel Harrington
• Joanne: Denise Mattingly
• Robin: Samantha Reau
• Judas/John the Baptist: Eric Worcester
• Lamar: Richard Yingling
• Herb: Harry J. Kantrovich
• Jeffrey: Burke Romans-Murray
• Ensemble: Jasmine Bull, Collin Chandler, MacKenzie Chandler, Sabrina Chandler, Lauren Janke, Tammy Janke, Lynn Lacey, Brian Miller, Claudia Tameris, Gavin Tameris

Crew

• Director: Zina Bleck
• Assistant Director: Harry Kantrovich
• Choreographer: Marji Jepperson
• Assistant Choreographer: Amy Treat
• Music Director: Jonathan Blank, Rachel Harrington
• Stage Manager: Alex Deigh
• Assistant Stage Manager: Shirley Attanaro
• Set Design: Gavin Tameris
• Set Construction & Painting: Gavin Tameris, assisted by Brian Johnson, Samanth Reau, Har’el Romans Murray, Eric Worcester
• Set Decoration/Dressing: Zina Bleck, Sabrina Chandler, Pat Janell, Claudia Tameris
• Properties: Pat Janell
• Lighting Design: Nancy Owens
• Sound Design: Rich Prein
• Costume Design Coordination: Shirley Attanaro, Sabrina Chandler, Claudia Tameris, The Cast
• Makeup Design: The Cast
• Hair Design: The Cast
• Board Operators & Running Crew: Erin DeCaprio, Becky Farris, K. Goins-Williams, Rich Prien
• House Manager: Kathy Sahlberg
• Box Office: Lynn Taylor
• Program: Julie Little
• Photographer: Jim Jenkins

Disclaimer: Castaways Repertory Theatre provided two complimentary media tickets to ShowBizRadio for this review. Also, be aware that Laura was the assistant stage manager for CRT’s fall show.