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“Uproariously funny” aptly describes the result; the audience was, indeed, in an uproar of laughter from start to finish.

Professional quality shines through in every aspect of the production.

Don’t Dress For Dinner is a fun farce that lets the laughter (and confusion) run rampant for two hours.

Copenhagen is an interesting show if you are a student of philosophy, history and physics. If you don’t have a background in those fields, prepare for a slog through some deep material.

Like its characters, who ultimately seek a life that, if not perfect and normal, is next to normal, the current Reston Community Players production, though not without flaws, is next to excellent.

The words, thoughts, and actions of Stoppard’s actors and writers have wider meaning to the extent that all the world is, in fact, a stage.

This was a worthy production of an opera that, like the play upon which it is based, should remain in the active repertory for a long time to come.

For spectacular, visually arresting technical theater and virtuosic, athletic movement, look no further than Synetic Theater’s production of The Tempest.

While perhaps not quite as well-known as the “big three” of Pinafore, Pirates, and Mikado, Iolanthe is arguably Gilbert and Sullivan’s most completely satisfying work.

The Olney Theatre Center’s production of Spring Awakening is simultaneously charming and mortifying.