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The current American Century Theater production of The Country Girl scrupulously documents the curiosities of stage life.

The LTA production of Rabbit Hole bodes well for the company’s evolution. By community theater standards — by any standards, really — the show is both enjoyable and admirable.

Now and then a group of actors will take the Titus challenge: Let’s see if we can pump some life into this corpse-strewn slasher drama.

Visit to a Small Planet holds up very well today — as the current American Century Theater production demonstrates.

Productions of Shakespeare’s The Merchant of Venice keep getting darker and darker, grittier and grittier. The admirable Shakespeare Theatre production further ups the pace by eroding shaky comedy and heightening rock-hard tragedy.

Dominion’s ten cast members show varying degrees of inhibition and lack thereof when it comes to making canny fools of themselves.

Refinement and restraint are much in evidence in the Shakespeare Theatre Company’s current revival of this dark comedy.

The good stuff is essentially humorous. The non-good stuff is essentially grim.

Divorcées, Evangelists and Vegetarian exemplifies preposterous, whiz bang farce.

Synetic Theater’s seventh Silent Shakespeare venture presents Lear totally denuded of ornate verbal shock absorbers.